Issue link: http://digital.copcomm.com/i/1184216
added several tons of concrete blocks as ballast in addition to the 5-foot long steel anchors that were drilled and epoxied into the bedrock. As an extra precaution, he suggested that the crew install four large removable cables to additional anchor points. These would be put up in the unlikely event that the forecast was predicting winds over one hundred kilometers an hour. The cables were up for much of the time the production was on Cape Forchu. The interior sets were all built on stages in Halifax, and I'm very proud of them all. But I'm happy to say that the drama that the weather provided us on Cape Forchu didn't follow the company to go back to Halifax. B I need to thank everyone who worked in the Art Department, and on the set decoration, property, construction, scenic and greens crews. I wish I could individually list and thank you all. You deserve that. I would be remiss if I didn't also thank my co-conspirators: director of photography Jarin Blaschke and Linda Muir, the costume designer (not to mention our friend and editor, Louise Ford). Brilliant all. You could not ask for a more exceptional group of people with which to work. And of course, a huge thanks to Robert Eggers, who lead us all through the storm. ADG A. LANTERN HOUSE WITH FRESNEL LENS. B. THE INTERIOR OF THE LIGHTHOUSE STAIRWELL WAS BUILT ON STAGE IN HALIFAX. C. INTERIOR MECHANICAL ROOM. D. VIEW FROM THE PARLOR THROUGH THE ENTRYWAY TO THE STAIRS. A C D