Location Managers Guild International

Spring 2019

The Location Managers Guild International (LMGI) is the largest organization of Location Managers and Location Scouts in the motion picture, television, commercial and print production industries. Their membership plays a vital role in the creativ

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and extensively carved woodwork—colored in shades of blue, pink, red and violet. The interiors are just as vivid, decorated with painted and stenciled ceilings, gold, silver and bronze leaf, etched-glass room dividers and a rooftop, octagonal, cupola observatory with a view for miles. This is probably the only surviving example of residential pavilion architecture in the United States. This architecture was created to amuse and delight viewers—and it succeeds wonderfully. Subsequent owners were Aleko Lilius, a Finnish writer and ex- plorer who lived there with Lai Choi San, the Pirate Queen; and then Carl Carmer, a historian who wrote about the hauntings of the house. When Carmer died in 1976, the house was deeded to the National Trust for Historic Preservation with one huge problem—the dome was collapsing. Years of deterioration left gaping holes in the roof. The National Trust was unsure of how to proceed. Along came Joseph Pell Lombardi, a preservationist and an architect who had a solution. The National Trust sold the property to Mr. Lombardi for $75,000 with his guarantee that he would restore the structure. This was the first time the Na- tional Trust sold a property to an individual. Fortunately, they chose a perfectionist, as well as a preservationist. He jacked the roof three feet up, enchaining the entire structure with airplane cables till it settled into its original position. He next went about the painstaking process of locating original furniture, restoring the original paint scheme and even restoring original garden plantings. With restoration close to completion, he continues to reach out to various collectors to buy pieces of furniture origi- nally in the house that were designed to complement its octago- nal shape. He tracks down people who visited the house back in the '20s and '30s and draws from their memories, in addition to researching through old photographs. Top: Lyndhurst Mansion art gallery. Photo by Maura Bekelja. Bottom row left: Lyndhurst Mansion holiday decor. Photo by Clifford Pickett. Bottom row right: Octagon House music room.

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