Post Magazine

© 2017 UNIVERSAL STUDIOS universalpicturesawards.com "WELL-MADE ENTERTAINMENT, WITH ALL THE ACTION, EFFECTS, ROMANCE AND HUMOR." NEWSDAY FOR YOUR CONSIDERATION BEST FILM EDITING BERNAT VILAPLANA BEST SOUND MIXING Production Sound Mixer JOHN CASALI amps Re-Recording Mixers CHRISTOPHER BOYES PETE HORNER BEST SOUND EDITING Supervising Sound Editors AL NELSON GWENDOLYN YATES WHITTLE BEST VISUAL EFFECTS Visual Effects Supervisors DAVID VICKERY ALEX WUTTKE SFX Supervisor PAUL CORBOULD Creature FX Creative Supervisor NEAL SCANLAN universalpicturesawards.com TM & © 2017 UNIVERSAL STUDIOS & AMBLIN ENTERTAINMENT, INC.

• Cover
• EDITOR'S NOTE Changes ahead By Linda Romanello
• THE ONLINE An increased presence By Marc Loftus
• BITS & PIECES What's new in post production
• DIRECTOR'S CHAIR Rob Marshall on Mary Poppins Returns By Iain Blair
• IT'S A KIND OF MAGIC Creating VFX for Disney's Mary Poppins Returns By Linda Romanello
• SPOILER ALERT !Illumination artists transform the story of The Grinch Who Stole Christmas into a full length CG feature film By Karen Moltenbrey
• DIRECTORS Four top directors weigh in on 2019 By Iain Blair
• 4K/HDR4K/HDR editorial workflows, continued growth in e-sports IP and beyond By Bryce Button
• COLOR AND FINISHING The rise of the hybrid color & finishworkflow By Brian Higgins
• RENDERINGT he golden age of rendering By Krzysztof Pianko
• FOLEY New opportunities tocreate great Foley By Leslie Bloome
• TECHNOLOGY Driving transformational shifts By Ramy Katrib
• VISUAL EFFECTS The convergence of television & filmin VFX By Ian Unterreiner
• MUSIC & SOUND Art reflecting life By Ian Jeffreys
• TECHNOLOGY How realtime tools are opening new doors in post By Marc Petit
• TECHNOLOGY 2019: A year for AI, collaboration and parallel workflows By Tim Claman
• WORKFLOW Streambox allows for successful file sharing at Instinctual
• PEOPLE Keeping tabs of the industry's movers & shakers