Post Magazine

APRIL 2010

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Which is probably why people are coming back to film. Film has incredible exposure latitude, which makes it so easy to light and work with on set. And it gives me an image that’s loaded with color information to start with — which saves time in post. The unmatched resolution makes everything from HD transfers to spots on the web look amazing. Considering all the surprises a production throws at you, why add an unproven workflow into the mix? Film, man. It’s just beautiful. Stefan Sonnenfeld refuses to compromise. His award-winning work on commercials and features such as Star Trek and Transformers 2: Revenge of the Fallen is a testament to that. Hear his stories and others at Stefan Sonnenfeld Colorist. Entrepreneur. Fanatic. © Kodak, 2009. Kodak and Vision are trademarks.

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