Issue link: https://digital.copcomm.com/i/942009
4 CINEMONTAGE / Q1 2018 CONTRIBUTORS Wm. Stetz ("Cover Photo") is an award-winning director, photographer and designer. He is currently working on a documen- tary about the "trash rock" music scene in southern Germany. He can be reached at bill@wmstetz. com. Martin Cohen's ("The Splice of Life" photography) photographs have been published internation- ally and exhibited in major cities around the world. He can be contacted at martincohen photog raphy@gmail.com. Peter Tonguette ("My Most Memorable Film") is a freelance writer whose work has appeared in The New York Times, The Wall Street Journal, Sight & Sound, Film Comment and Cineaste. He can be reached at tonguetteauthor2@aol.com. Jeff Burman ("Labor Matters") represents assistant editors on the Guild's Board of Directors. He can be reached at jeffrey.s.burman.57@ gmail.com. Edward Landler ("The Splice of Life") is a filmmaker, media educator and film historian. He made I Build the Tower, the defini- tive feature documentary on the Watts Towers, and is currently completing a cultural history of film. He can be reached at edlandler@roadrunner.com. Betsy A. McLane ("Cut/Print") is the author of A New History of Documentary Film: Second Edition. She served as the project director for the American Documentary Showcase, and was the execu- tive director of the International Documentary Association. betsy@ documentarydiva.com. Joseph Herman ("Tech Tips") is a post-production professional, filmmaker, animator and artist. His work has appeared in films, commercials, promos and music videos. He currently operates his own creative studio, Legend Multimedia (www.legendmultimedia.com), and writes often about the industry. Reach him at joe@ legendmultimedia.com. Sarah Shatz ("Bridge of Lies" photography) is a New York- based photographer and member of Local 600. She specializes in portraits, unit stills and behind- the-scenes for film, TV and com- mercials. www.sarahshatz.com. Rob Feld ("Bridge of Lies") is a regular contributor to DGA Quar- terly. His films have premiered at festivals like Tribeca, TIFF and Palm Springs. He directs branded content at award-winning agency Piro and teaches screenwriting at NYU. Contact him at raf301@ nyu.edu. Christopher Fragapane ("Train Spotting" photography) lives in Venice, California with his wife and daughter. He has worked as a photographer for nearly two decades in the entertainment and advertising fields for national and international clients, and can be contacted at christopherfragapane@gmail.com. Mel Lambert ("Train Spotting") is intimately involved with produc- tion industries on both sides of the Atlantic. He is a 30-year mem- ber of the UK's National Union of Journalists, and can be reached at mel.lambert@content-creators.com. Debra Kaufman ("Monty the Mentor") has been writing about film/TV technology and business for 25 years, for publications including The Hollywood Reporter, Variety and Wired. She also au- thors the MobilizedTV.com blog. Reach her at dkla99@verizon.net. Rob Callahan ("Getting Organized") is the Motion Picture Editors Guild's National Organizer, based in Los Angeles. He can be reached at rcallahan@ editorsguild.com. Steve Hullfish ("Replacing Kevin Spacey") is the author of six books on post-production, including his latest, Art of the Cut: Conversations with Film and TV Editors. He can be reached at steve@hullfish.com. Ned Bastille, ACE ("Tail Pop"), is a Los Angeles-based film and television editor who has been working in movies since the sixth grade, when he shot a salt-and-pepper-shaker battle in the den of his suburban Boston home. Pepper won. He can be reached at nbastille@yahoo.com. Michael Ferdie ("Union Made") is a supervising sound editor in LA. An MPSE Golden Reel, Hollywood Post Alliance and Hollywood Reel Independent Film Festival award winner, he has worked on TRON: Uprising, Fringe, Jessica Jones, Titan A.E. and Happy Endings, among others. He can be reached at soundedito- rial@gmail.com.