Issue link: https://digital.copcomm.com/i/859699
28 P E R S P E C T I V E | S E P T E M B E R / O C TO B E R 2 0 1 7 P E R S P E C T I V E | S E P T E M B E R / O C TO B E R 2 0 1 7 P E R S P E C T I V E | S E P T E M B E R / O C TO B E R 2 0 1 7 Above, left and right: Set photographs of the abandoned lodge interior onstage at Mammoth Studios. Another photograph of the set. Graphic Designer Andrew Campbell helped develop the bas relief carved panels on the walls of the lodge depicting man's dominance over nature. Drawing: Set Designer Greg Papalia's pencil drawing for the abandoned lodge exterior, a set built on location in Vancouver. Greg spearheaded the set, referencing WPA-era lodges of the West like the Timberline in Oregon and the Ahwahnee in Yosemite. Opposite page: Another drawing of the lodge floor plan by Greg Papalia. Center and bottom: Set photographs of the abandoned lodge interior. Mr. Chinlund: "This was another set that allowed us all to play with man's confidence in his mastery of nature. It was so much fun contrasting these ideas with the rise of the apes." This area represented the lobby mezzanine, including the lodge gift shop windows. The multilevel portion shown in this set still represents a fraction of the actual space taken up by the set built at Mammoth Studios in Vancouver.