Issue link: https://digital.copcomm.com/i/780285
P E R S P E C T I V E | M A R C H / A P R I L 2 0 1 7 25 PRODUCTION DESIGNER: NELSON COATES EXECUTIVE PRODUCER: MARCUS VISCIDI DIRECTOR: JAMES FOLEY SET NAME DESCRIPTION LOCATION DATE REVISION ART DIRECTOR DRAWN BY SCALE SHEET Nº OF DATE RELEASED DRAWING Nº SET Nº PROD. CONST. SET DEC. PAINT METAL SPFX VFX GREENS CAMERA GRIP/ELEC PROPS GRAPHICS 03 CHRISTIAN'S PH LIB/STUDY 01/07/16 NSS Stage 5 115 115_03_REV_PHLibStd_Elev_jr _160218 RAMSAY ELEVATIONS/Details Jeremy Stanbridge 3:10 PM 2/18/16 FEB 18 2016 REVISED 1 ELEVATION scale: 1/4"=1'-0" 2 ELEVATION scale: 1/4"=1'-0" 3 ELEVATION scale: 1/4"=1'-0" 4 ELEVATION scale: 1/4"=1'-0" 5 ELEVATION scale: 1/4"=1'-0" 6 ELEVATION scale: 1/4"=1'-0" 7 ELEVATION scale: 1/4"=1'-0" 8 ELEVATION scale: 1/4"=1'-0" 9 ELEVATION scale: 1/4"=1'-0" crew access 10 11 12 ELEVATION scale: 1/4"=1'-0" B 13 1'-6" 14 ELEVATION scale: 1/4"=1'-0" B 15 ELEVATION scale: 1/4"=1'-0" B 7'-0" 16 ELEVATION scale: 1/4"=1'-0" B 02 1 V O I D V O I D 3 17 ELEVATION scale: 1/4"=1'-0" 18 ELEVATION scale: 1/4"=1'-0" 6" 6" panel size panel size C A 05 book case back walls E-22 Cottage Red book case back walls E-22 Cottage Red book case back walls E-22 Cottage Red Crown 2134-30 Panel walls 2134-30 Bookcases 2134-30 Base 2134-30 4'-0" 4'-0" EQ EQ wrap panelling Feb.18,2016 Wall panelling added to Study 1 1 1 1 A B A 8'-6" 4'-0" 4'-0" 14'-0" FIXED GIMBLE FIXED GIMBLE FIXED GIMBLE FIXED GIMBLE 9'-10" 4'-0" 4'-2" A 1'-6" painted drywall painted drywall 4'-2" painted drywall painted drywall 9'-10" 1'-3 1 2 " painted drywall 2 06 9'-6" 1'-8" 3'-0" 4" 2 06 A 1'-0" painted drywall A VOID 14'-0" 1'-10" VOID A 14'-0" C B painted drywall AC-6 painted drywall painted drywall VOID A A VOID painted drywall painted drywall 9'-10" B 8" 8" 4'-2" 1 02 3 02 FIXED GIMBLE FIXED GIMBLE FIXED GIMBLE FIXED GIMBLE A 8'-6" 1'-6" 1'-6" 2'-6" 1 07 4'-0" 14'-0" 1 07 painted drywall venetian plaster VOID VOID GIMBLE B 05 A 05 A 05 C 05 C 05 C 05 C 05 C 05 E 02 A 07 B 07 A A 1 07 EQ 4'-0" 4'-0" EQ 4'-0" 4'-0" 1'-10" 4 1 2 " 3'-3 1 2 " 3'-3 1 2 " 2'-7 3 4 " 2'-7 3 4 " 3'-4 1 2 " 3'-4 1 2 " D 08 D 08 1 06 SetDec curtain pocket Walls non-wood HC-44[Pearl] Rosewood veneer w/ red mahogany stain to match sample. Run grain horizontal Rosewood veneer w/ red mahogany stain to match sample. Run grain horizontal Venetian Plaster to match linen color plaster sample Venetian Plaster untinted, Raw umber tint wash polished Rosewood veneer w/red mahogany stain to match sample. Run panel grain vertical. Run baseboard grain horizontal Brushed Gold DiBond Walls non-wood HC-44[Pearl] drop ceiling HC-92 As Anodized dark bronze to match rest of PH As Anodized dark bronze to match rest of PH As Anodized dark bronze to match rest of PH As Anodized dark bronze to match rest of PH Inset Benches Upholstry /Leather & antique brass hardware per Set Dec AC-6 Wet Bar Wall Octolam 917 Malmo Walnut field/edge/ reveals Wet Bar Wall Octolam 917 Malmo Walnut field/edge/ reveals B 2 02 6'-8" mullion centre line BASE DETAIL scale: 3"=1'-0" A 6" 1 2 " 1 2 " drywall WALL DETAIL scale 3"=1'-0" B 1 2 " 1 2 " 4" A Top: Digital construction drawings if the Grey penthouse library by Jim Ramsay. Above, left and right: The penthouse library was designed around an early 1940s' streamline modern Brunswick pool table found by set decorator Cal Loucks in an Everett, Washington, garage. Fully restored and re-felted, the table was a perfect centerpiece for the lacquer-finished, wall-to-wall shelving designed to showcase Grey's first editions and art, as well as allude to his BDSM proclivities with the leather-strapped built-in benches. Another view, showcasing the connection to the wine cellar. The rich darker colors included a ruddy red to reference the Red Room. All shelf units had camera ports to allow for maximum filming potential. production, build the fan excitement by including visual clues from the book or source material. Before meeting director Jamie Foley regarding the two sequels to Fifty Shades of Grey, lots of speed-reading was in store, as well as a screening of the original film. The usual non-disclosure agreement didn't quite prepare me for the zealous fans trolling personal Instagram and Facebook posts just to see if they could find production details. In fact, for months prior to production,