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6 CINEMONTAGE / Q4 2016 CONTRIBUTORS Wm. Stetz ("Jerry Greenberg's Long Love Affair with Editing" photography) is an award- winning director, photographer and designer. His photography re- cently won an American Aperture Award. He can be reached at bill@wmstetz.com. Martin Cohen's ("The 100 Club" photography) photographs have been published internation- ally and exhibited in major cities around the world. He can be contacted at martincohenphotog- raphy@gmail.com. Peter Tonguette ("My Most Memorable Film") is a freelance writer whose work has appeared in The New York Times, The Wall Street Journal, Sight & Sound, Film Comment and Cineaste. He can be reached at tonguetteauthor2@aol.com. Jeff Burman ("Labor Matters") represents assistant editors on the Guild's Board of Directors. He can be reached at jeffrey.burman@ nbcuni.com. Edward Landler ("This Quarter in Film History") is a filmmaker, media educator and film historian. He made I Build the Tower, the de- finitive feature documentary on the Watts Towers, and is currently completing a cultural history of film. He can be reached at edlandler@roadrunner.com. Betsy A. McLane ("Cut/Print") is the author of A New History of Documentary Film: Second Edition. She served as the project director for the American Documentary Showcase, and was the execu- tive director of the International Documentary Association. betsy@ documentarydiva.com. Joseph Herman ("Tech Tips") is a post-production professional, filmmaker, animator and artist. His work has appeared in films, commercials, promos and music videos. He currently operates his own creative studio, Legend Multimedia (www.legendmultimedia.com), and writes often about the industry. Reach him at joe@ legendmultimedia.com. Rob Feld ("Manchester United") is a regular contributor to DGA Quarterly. His films have pre- miered at festivals like Tribeca, TIFF and Palm Springs. He directs branded content at award- winning agency Piro and teaches screenwriting at NYU. Contact him at raf301@nyu.edu. Mel Lambert ("Capturing the Musical Magic") is intimately in- volved with production industries on both sides of the Atlantic. He is a 30-year member of the UK's National Union of Journalists. He can be reached at mel.lambert@ content-creators.com. Brooklyn native John Clifford (cover photography) is a New York-based photographer who has worked on over 60 feature films and TV shows as a member of Local 600, the International Cinematog- raphers Guild. He can be contacted at johnclifford1@me.com. Laura Almo ("The 100 Club") is a writer and documentary filmmaker. She teaches video editing at El Camino College in Torrance, Cali- fornia, and is a contributing editor at Documentary magazine. Contact her at lauraalmo@mac.com. Christopher Fragapane ("Captur- ing the Musical Magic" photog- raphy) lives in Venice, California with his wife and daughter. He has worked as a photographer for nearly two decades in the enter- tainment and advertising fields for national and international clients, and can be contacted at christopherfragapane@ gmail.com. Michael Goldman ("Jerry Green- berg's Long Love Affair with Editing" ), a longtime Hollywood journalist, was the former senior editor of Millimeter and is a con- tributor to American Cinematogra- pher and many other publications. Contact him at michael.goldman@me.com. Retired Emmy Award-winning editor Barbara Pokras, ACE ("Tail Pop"), is happily situated near Woodstock, New York, where she screens films and writes "blurbs" for the Woodstock Film Festival and tutors students in adult literacy. babscandoit@yahoo.com. Originally from the UK, Emlyn Pugh ("Op/Edit") is an off- line video editor based in Los Angeles. His network credits (on both sides of the pond) span entertainment, comedy, scripted, current affairs, music, game shows and competition reality. Contact him at info@triggerfishfilms.media. Kurt Kassulke, CAS ("Union Made"), is a re-recording mixer at Technicolor at Paramount. He has mixed everything from features to reality television, but devotes most of his current days to one-hour TV dramas. He can be reached at kurt.kassulke@ gmail.com. A.J. Catoline ("Kutak Retire- ment Gala") is a picture editor who serves on the Editors Guild's Board of Directors. He can be reached at ajcatoline@gmail.com