Issue link: https://digital.copcomm.com/i/756468
63 Q4 2016 / CINEMONTAGE A P R O D U C T I O N T O O L F O R F E A T U R E S T E L E V I S I O N C O M M E R C I A L S A N D M O R E @ U N I V E R S A L S T U D I O S L O T U N I V E R S A L S T U D I O S L O T. C O M D I S C O V E R T H E N E W Spelling Television folding up, limiting her network of contacts. But things did improve. "I was able to make some inroads," she says. "The more people you work for, the wider your circle is." Since 7th Heaven, Weinberg's career has thrived. She has edited a multitude of series including Jane the Virgin (2014-present) and UnREAL (2015-present), and is currently working on The Exorcist (2016-present) for Fox. She is thrilled with the way things are going now: "I've really enjoyed the experience of working on a variety of different shows, since it is the opposite of what I did for so many years." On the other hand, Toberen never thought about leaving ER, nor did she think about how staying on one show for 15 years would impact her career. "There had been so many writers who came and went from ER, and they were all out there working on good projects — so I didn't really think I would have that much difficulty getting work," she conceded. But she did. "I was actually shocked that it was so hard to find work after ER," Toberen continues. Through connections, she finally landed at The Good Wife (2009-16) for a while, but left the show because of an untenable commute. Since then, she has worked on the likes of Detroit 1-8-7 (2010-11) and Grimm (2011-present), but fondly remembers cutting the landmark medical series as one of the best parts of her career. Reflecting on cutting 100 episodes, Ring Jacobson says, "I'm grateful that I had that experience and that 7th Heaven went for so long. At the time you were doing it, you're not counting episodes, just doing it day-by-day, episode-by-episode. Looking back on it, it is an accomplishment." f Editor's Note: Research for this article was conducted chiefly on IMDb.com and Wikipedia.com, which are not always entirely accurate. If readers find any errors or omissions, please let us know. Also, if we overlooked any one-hour drama TV editors who have cut 100 episodes or more, contact us at your earliest convenience. And finally, for those editors who are a show or three short of joining The 100 Club, we welcome you to notify us when you reach the century mark. CONTINUED FROM PAGE 58