CineMontage

BEST FILM EDITING JOHN GILBERT, ACE C O N S I D E R T H I S " ★★★★ " " ★★★★ " "THE BATTLE SCENES ARE BREATHLESSLY KINETIC." "BLUNT AND EFFECTIVE, A PICTURE CANNILY CRAFTED FOR MAXIMUM EFFECT." LionsgateAwards.com

• Cover
• Post Script – Tomm Carroll
• From the National Executive Director –Cathy Repola
• Union Made by Kurt Kassulke, CAS
• Op/EditWhen Reality Loses Its Voice by Emlyn Pugh
• Diversity Committee
• Membership Outreach Committee –Edward Landler
• This Quarter in Film HistoryThe Girl Can't Help It (1956)by Edward Landler
• My Most Memorable Film:Maurice Schell, MPSE, on All That Jazz (1979)by Peter Tonguette
• Capturing the Musical Magic for Film and Online Series:Jason Ruder and David Klotzby Mel Lambert
• Manchester United Editor Jennifer Lame and Sound Supervisor Jacob RibicoffTeam Up to RealizeKenneth Lonergan's Visionby Rob Feldportraits by John Clifford
• The 100 Club: Editorial Longevity by Laura Almo
• Hitting the Century Mark Some Thoughts from the 100 Club's Newest Memberby Gregory Gontz
• Jerry Greenberg's Long Love Affair with Editing by Michael Goldman
• Building the More Perfect Union by Edward Landler
• Create 3D Objects – and Destroy Them Too! Cinema 4D R18by Joseph Herman
• Cut/PrintWomen Film Editors: Unseen Artists of American Cinemareview by Betsy A. McLane
• Labor MattersIn Wake of Election, Labor Reaches Out to Trumpcompiled by Jeff Burman
• Passages
• In Memoriam
• Tail PopThe Apu Trilogy (1956, 1957, 1959) by Barbara Pokras, ACE