Post Magazine

November 2016

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BITS & PIECES www.postmagazine.com 11 POST NOVEMBER 2016 A P R O D U C T I O N T O O L F O R F E A T U R E S T E L E V I S I O N C O M M E R C I A L S A N D M O R E @ U N I V E R S A L S T U D I O S L O T U N I V E R S A L S T U D I O S L O T. C O M D I S C O V E R T H E N E W OXFORD, UK — Vicon (www.vicon.com), a developer of motion capture technology, has announced that UK-based visual effects company Framestore (www.framestore.com) relied on its Vicon motion capture cameras for Marvel Studios latest superhero film, Doctor Strange. The film follows the story of neurosur- geon Doctor Stephen Strange (Benedict Cumberbatch), who loses the use of his hands after a terrible car accident. Battling adversity, Doctor Strange embarks on a journey of heal- ing, while discovering the secrets of an alter- nate dimension and gaining magical powers on the way. Ultimately, he must decide whether to return to his old life in New York or leave it all behind to protect the Marvel Universe. Using a 24-camera Vicon system, Framestore undertook three days of stunt performance capture at Longcross Studios in Surrey, England, for fight scenes between Doctor Strange and Strong Zealot. Typically, Framestore deploys a 16-camera system, however additional loaned cameras were needed due to the size of the capture volume, as many of the scenes involved actors flying on wires both vertically and horizontally. Framestore managed the capture data using a pipeline that streamed from Blade, Vicon's precision data capture and processing soft- ware, straight into Autodesk MotionBuilder. This enabled the Framestore team to deliver reliable data, and allowed the stunt performers and coordinators to see the characters as they would finally appear on screen and direct stunts based on pre-vizualized camera angles. "The stunts were very physical- ly demanding, so it was important for the data captured to be ac- curate and reliable," says Richard Graham, capture lab studio manager at Framestore. "As the scenes involved actors flying on wires, it was important to show the capture in the context of the final shot. The Vicon system allowed us to do this and enabled the anima- tion and VFX supervisors to make decisions in realtime as shooting took place." "Comics and fantasy worlds capture the imagination of audiences, but technology is often needed to help bring the pages of comic books to life," adds Imogen Moorhouse, CEO of Vicon. "Offering flexibility and outstanding accuracy and clarity, Vicon technology offers studios like Framestore the best quality data capture software and tools to meet the tough- est industry demands and challenges." VICON MOTION CAPTURE GIVES DOCTOR STRANGE A MAGIC TOUCH

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