Summer 2016

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1 Q3 2016 / CINEMONTAGE COVER STORY 32 El Sonido de Narcos A Visit to Sound Editorial and the Re-Recording Stage for the Hit Netflix Series by Mel Lambert CONTENTS FEATURES 16 Guild Members Participate in MPTF's Home Safe Home by Linda O'Hanlon 28 Technical Challenges TD Christine Salomon Feeds on Them by Debra Kaufman 38 The Indie Outsider Brian A. Kates on How to Talk to Girls at Parties, Altering Footage and the Sex-Death Montage by Rob Feld 40 Sound Support Assistants Usher the Audio from the Cutting Room to the Mixing Stage by Mel Lambert 28 38 40 On the Cover: Narcos re-recording mixer Pete Elia, CAS, supervising sound editor Randle Ak- erson, MPSE, re-recording mixer Kevin Roache, CAS, and ADR supervisor Thomas Whiting, photographed on Technicolor at Paramount's Stage 7 in Hollywood in June by Martin Cohen. Clockwise from top left: editor Brian A. Kates, portrait by Sarah Shatz; technical director Christine Salomon, portrait by Gregory Schwartz; assistant sound editors Matt "Smokey" Cloud, left, and Kevin N. Nanaumi, portrait by Martin Cohen. The Narcos post sound crew: re-recording mixer Kevin Roache, left, sound effects editor Dino DiMuro, recordist/mix technician Jared Orlando, re-recording mixer Pete Elia, supervising sound editor Randle Akerson, ADR supervisor Thomas Whiting and dialogue editor David Padilla. Portrait by Martin Cohen 32

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