Issue link: https://digital.copcomm.com/i/7010
A U D I O Infinite Possibilities For more information, visit www.altsystems.com sales@altsystems.com 1.818.565.3400 For more information, visit www.altsystems.com sales@altsystems.com 1.818.565.3400 Bright Systems Delivers the Industry's First Server Operating System Specifically Designed for Media Standard operating systems and off-the-shelf IT hardware are not designed for the unique require- ments of the media and entertainment industry. BrightDrive G 2 is designed to address these numerous and costly challenges as a result of over 10 years of real world experience and dedicated R&D specific to the industry. BrightDrive G 2 is compatible with and beneficial to all file-based software applications, file formats, and workflows. , Bright Systems' flagship product, delivers operational stability that you can reliably base a business around. ALT Systems, a full-service systems integrator for the post production media and entertainment market, can provide you with a unique solution customized to meet your specific needs. the original recording is significant. Wheeler explains, "The big thing that happened in the mid 70s is that pan pots showed up on mix- ing consoles. So anything mixed prior to the mid 70s was pretty much locked into either hard left, hard right or center. Back then, there was a three-position toggle switch on the console. In those cases, we can only sep- arate out those three positions. We can't give you back a larger number of channels than what was originally there. And we are not ashamed of that. We are proud to be able to deliver those three positions be- cause that's all there was during that time." Penteo is a great choice for meeting the growing demand of licensed music being used in surround mixes. Wheeler did not develop Penteo based on this recent trend, but understands how useful it can be for those situations. "No, I didn't see the licens- ing trend ahead of time, this was just a fun tool stemming from my own listening expe- riences. It was purely out of fun. So, in many ways, that need found us. I feel that people are using legacy material more often now because music production isn't being done the same way today. It's a whole different world when you have a catalog of 50 years worth of stereo mixes you can pull from." Wheeler is confident that the need for surround material in the future will become the norm. "Virtually every movie theater has 5.1, so the need for 5.1 is going to be here for a long time to come, I don't see it ever going away. As long as that need is there, then there will always be stereo mixes that need to be broken out in their component form. We are incredibly sensitive to the original stereo mixer's intention. We are not tr ying to do something that is contrary to the stereo mix; we are just trying to optimize the stereo mix for surround, to convert the stereo into the most appropriate 5.1 mix we can do." B L U E S K Y Southern California-based Chris Fichera, co-founder/VP of Blue Sky (www.abluesky. com), which has headquar ters in Farming- dale, NY, understands the needs of the smaller audio rooms found in many post pro- duction facilities, including video editing suites and color correct suites. His attention to the mid-range for all their systems is one of the keys to the company's success and accep- tance into the audio post community. One of the first studios to install Blue Sky monitors had enough clout to get Blue Sky noticed in the audio industr y. "When Jack Kelly [president] and I first started the com- pany, one of my friends was the chief engi- neer at Skywalker Sound," explains Fichera. "After a demonstration, the speakers were approved to be put into the smaller sound editing rooms there. They had about 30 rooms and were looking for some consis- tency. We were for tunate enough to get Skywalker to buy about 35 systems, which Blue Sky's Chris Fichera: "We are not trying to do something that is contrary to the stereo mix; we are just trying to optimize the stereo mix for surround."