Issue link: https://digital.copcomm.com/i/600849
59 FALL 2015 / CINEMONTAGE to make sure the whole thing would work out as Tarantino envisioned (see sidebar, page 64.) On the editorial side, editor Fred Raskin, ACE, was tasked with cutting two versions of the movie: one for 70mm exhibition, dubbed the "Road Show" version — complete with musical overture and an intermission — and a slightly shorter, digitally scanned "Multiplex" version, which is slated to go wide in early 2016, weeks after The Hateful Eight Road Show version debuts on Christmas in 100 theatres across the country. But for Raskin, on the creative level, the differences between this project and what he was used to in Tarantino's world were subtle, but important. At the end of the day, he came to realize that The Hateful Eight was certainly "a different