Issue link: https://digital.copcomm.com/i/511209
Beatcan.com is your one-stop solution for Royalty-free Music, Sound Effects and everything else you may need for audio in your digital productions of any kind. All audio files are custom ordered, are made by professional producers. Once you download a file, it is yours to keep and use forever. ROYALTY WORLD PRODUCTIONS FREE CLASS WWW.BEATCAN.COM Beatcan-PostMag.indd 2 2015-03-05 22:39 Shiffman (left) and Finan (below) recently opened Boom Box Post in Burbank, CA. a musical approach, pulling big Taiko drum hits and cymbal rolls from the Pro Sound Effects Hybrid library that he pitched down and warped to create an otherworldly sound. "When I use sound libraries, I very specifically use them for more musical builds, rather than for nuts and bolts sound design," he explains. Shiffman additionally selected several drones from the Hybrid library, layering them to create chord-like structures. "To be perfectly honest, there is a decent amount of fluff in the Hybrid library, but the musical elements and drones are top-notch." Shiffman also pulled big drum-like hits from the Cinematic Metal — Con- struction Kit by Boom Library. He says generally Boom Box Post tends to get more use out of the low-frequency impacts from construction kits versus already built sounds. And if an object is small enough to hold, it's typically recorded in-house. "If we're using something from a library it's because it's too large or cumbersome for us to record without a whole lot of planning and execution," he says. "The Cinematic Metal — Construction Kit gives us all of the pieces, pristinely recorded. It's basically a blank slate for us to build from." Teenage Mutant Ninja Turtles uses very dynamic and fluid camera move- ments, says Shiffman. Instead of pulling a library whoosh, Shiffman pitches down gong and cymbal rolls to create low, chesty rumbles that highlight the camera moves. He uses Soundminer for effects management, often utilizing its built-in pitch shifter before sending the effects to Pro Tools. To pitch the drone effects in this scene of TMNT, Shiffman chose the Waves SoundShifter plug-in because it allows him to effect both pitch and time com- pression/expansion, as well as adjust the pitch intensity over time. Shiffman also used the Waves Doubler plug-in to add a chorusing effect, and Avid's Re- Vibe to add a big, roomy ring-out on the drones. "For this scene, I did a lot of pitching and layering to create something new, instead of running the elements through any intense plug-in chains," he says. "Overall, the sound was supernat- ural, but it had to sound naturalistic too, almost like monks chanting." Shiffman says the scene provided a great opportunity to be creative with the tools at his disposal. "I could create drones or I could record instruments, but in our work flow we have to keep things moving along. The library sounds were malleable enough for me to create something really different and interesting."