Issue link: https://digital.copcomm.com/i/4585
with just my a tape to scenic, if I AC.There mag-lites and was gaffers.When I an uncom- calmly explained mag-lite if I re- a way that also give me that shoot I need." wardrobe & you more on a green- obvious situa- music video wearing reflective which case roto slum- times it will cost weeks the hair per- that fuzzy hair, the produc- tion designers and make their life easy. "VFX are often determined by a simple sub- traction equation. The script calls for some- thing, often times it is more cost effective and time efficient for the production de- signer to provide some portion of it, and the difference is made up with VFX. In one Res- cue Me scene, the script called for several city blocks to be covered in falling ash. The production designer was able to dress just the areas around the actors and the rest we did with par ticle systems and matte paint- ings. This saved production hours of set-up and clean-up, and who knows how much they saved in costs." www.postmagazine.com November 2009 • Post 19 The Molecule used LED lights as tracking markers for this darkly-shot Rescue Me scene involving a set extension.