Which
is
probably
why
people
are
coming
back
to
film.
Film
has
incredible
exposure
latitude,
which
makes
it
so
easy
to
light
and
work
with
on
set.
And
it
gives
me
an
image
that's
loaded
with
color
information
to
start
with
—
which
saves
time
in
post.
The
unmatched
resolution
makes
everything
from
HD
transfers
to
spots
on
the
web
look
amazing.
Considering
all
the
surprises
a
production
throws
at
you,
why
add
an
unproven
workflow
into
the
mix?
Film,
man.
It's
just
beautiful.
Stefan
Sonnenfeld
refuses
to
compromise.
His
award-winning
work
on
commercials
and
features
such
as
Star
Trek
and
Transformers
2:
Revenge
of
the
Fallen
is
a
testament
to
that.
Hear
his
stories
and
others
at
kodak.com/go/motion
Stefan Sonnenfeld
Colorist. Entrepreneur. Fanatic.
©
Kodak,
2009.
Kodak
and
Vision
are
trademarks.