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4 CINEMONTAGE / SEP-OCT 14 CONTRIBUTORS VOL 3 NO 5 / SEP-OCT 14 Editor – Tomm Carroll Art Director – Wm. Stetz/Stetz Design Accountant – Meleney Humphrey Proofreaders – Bill Elias, Larry J. Tazuma Circulation – Serena Kung COLUMNISTS Post Script – Tomm Carroll Getting Organized – Rob Callahan Membership Outreach – Stephanie Brown & John Vitale Labor Matters – Jeff Burman CONTRIBUTING WRITERS Dan Bronson Mitch Danton Rob Feld Joseph Herman Mel Lambert Edward Landler Kevin Lewis Norman B. Schwartz Andy Thomas Peter Tonguette CONTRIBUTING PHOTOGRAPHERS Martin Cohen Sarah Shatz Wm. Stetz ADVERTISING SALES John McCarthy and Associates 805-870-4437 johnmccarthy3@verizon.net EDITORIAL OFFICES 7715 Sunset Boulevard, Suite 200 Hollywood, CA 90046 Phone – 323.876.4770 or 800.705.8700 Fax – 323.876.0861 E-mail – mail@editorsguild.com EDITORIAL POLICY COMMITTEE Jeff Burman (co-chair) John Lafferty, ACE (co-chair) AJ Catoline Mark Goldblatt, ACE Glenn Morgan, MPSE CINEMONTAGE (ISSN 2165-3526) is published bimonthly by the Motion Picture Editors Guild, IATSE Local 700, 7715 Sunset Blvd., Hollywood, CA 90046. Periodicals Postage paid at Los Angeles, CA. SUBSCRIPTIONS: $10 of each Editors Guild member's annual dues is allocated for a subscription to CINEMONTAGE. Nonmembers may purchase an annual subscription for $45 (domestic) or $65 (foreign). POSTMASTER: Send address changes to CINEMONTAGE, 7715 Sunset Blvd., Suite 200, Hollywood, CA 90046. The opinions expressed in this publication do not necessarily represent the official policy of the Editors Guild. CINEMONTAGE will not accept advertising from nonsignatory companies that perform bargaining unit work. We welcome editorial submissions and press releases. Contact Tomm Carroll, Editor, at tcarroll@editorsguild.com or at 323-876-4770, ext. 222. Copyright © 2014 The Motion Picture Editors Guild Printed by California Offset Printing, Inc. CINEMONTAGE Martin Cohen's ("The Fisher Kings" photography) photographs have been published internation- ally and exhibited in major cities around the world. Originally from the Netherlands, he attended the Dutch Film Academy in Amster- dam. He can be contacted at martincohenphotography@gmail.com. Rob Callahan ("Getting Organized") is the Motion Picture Editors Guild's National Organizer, based in Los Angeles. He can be reached at rcallahan@ editorsguild.com. Kevin Lewis ("This Month in Film History") is a freelance writer who specializes in historical articles about films and the film industry. He has written for International Documentary, DGA Magazine and Film History and can be reached at roland1949@centurylink.net. Peter Tonguette ("My Most Memorable Film") is a freelance writer whose work has appeared in The New York Times, The Wall Street Journal, Sight & Sound, Film Comment and Cineaste. He can be reached at tonguetteauthor2@ aol.com. Jeff Burman ("Labor Matters") represents assistant editors on the Guild's Board of Directors. He can be reached at jeffrey.bur- man@nbcuni.com. Joseph Herman ("Tech Tips") is a post-production professional, filmmaker, animator and artist. His work has appeared in films, commercials, promos and music videos. Reach him at joe@legendmultimedia.com. Edward Landler ("Editors Have the Write Stuff ") is a filmmaker, media educator and film historian. He made I Build the Tower, the de- finitive feature documentary on the Watts Towers, and is currently completing a cultural history of film. He can be reached at edlandler@roadrunner.com. Sarah Shatz (cover photo) is a New York-based photographer and member of Local 600. She specializes in portraits, unit stills and behind-the-scenes for film, TV and commercials. www.sarah- shatz.com. Emmy and Eddie Award winner Mitchell Danton ("UnionMade") is an LA-based editor. He recently co-authored his mother's Holly- wood memoir, The Lucky Southern Star. He is currently editing Switched at Birth for ABC Family and writing a book about film editing. Reach him at mdanton@earthlink.net. Stephanie Brown ("Membership Outreach") is a sound editor who currently represents assistant editors on the Guild's Board of Directors. She can be contacted at outreach@editorsguild.com. John Vitale ("Membership Outreach") is a picture editor who represents that classification on the Guild's Board of Directors. Reach him at outreach@ editorsguild.com. Dan Bronson ("The Fisher Kings"), a CableACE nominee, has had many careers: college professor, story analyst, story editor, writer and producer. His memoir, Confessions of a Hol- lywood Nobody, was published this year. He can be contacted at dansdesktop@aol.com. Rob Feld ("Whatever It Takes, Just Make It Work") is a regular contributor to DGA Quarterly and Written By, and contributing edi- tor of Newmarket Press' Shooting Script book series. He teaches screenwriting and directing at the School of Visual Arts in New York. Contact him at rob@gothamarts.com. Mel Lambert ("Plugged-In for the Mix") is a seasoned journalist and technical writer with close to 40 years of hands-on experience within a wide range of professional and consumer electronic technolo- gies. Contact him at mel.lambert@ mediaandmarketing.com. Andy Thomas ("Tail Pop") is an editor and producer who can mainly be found working on shows like America's Got Talent, King of the Nerds and other en- tertainment and reality program- ming. He can be contacted at andy@tellyboxentertainment.com. Norman B. Schwartz (The Swede Hereafter), a retired sound editor and ADR director, was the first ADR editor to be admitted to the Academy of Motion Picture Arts and Sciences. He is currently teaching acting, directing and writing for the New York Film Academy schools around the world. He can be reached at ilprofessore@verizon.net.