Post Magazine

October 2013

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SERVING THE INDUSTRY SINCE 1986 VOL 28 · NO. 10 THROUGH THE NEVER departments 2 EDITOR'S LETTER Film, Sound & More... By Marc Loftus 4 BITS & PIECES What's new in post production 10 DIRECTOR'S CHAIR Ron Howard's Formula 1 Rush By Iain Blair 12 DIRECTOR'S CHAIR Billy Bob Thornton: Jayne Mansfield's Car By Marc Loftus POSTING TV SERIES 14 Perfecting workflows for primetime content. OPEN HOUSE Sonixphere's expanding universe 30 STORAGE GALLERY Solutions for collaboration, archiving and more 32 SOUND LIBRARY GALLERY New music & sound effects 38 POSTINGS A graphic glimpse of some recent work 40 PRODUCTS The latest in hardware & software 44 PEOPLE Keeping tabs of the industry's movers & shakers 48 REVIEW Blackmagic Design's UltraStudio Pro & SmartScope Duo By Brady Betzel 4 RUSH VIDEO 16 By Christine Bunish EFFECTS 20 VFX FOR SPOTS 10 BLACKLIST Pros use visual effects to explain concepts and entertain audiences. By Christine Bunish S O U N D 24 AUDIO FOR FILMS These features join the growing list of films mixed in Auro-3D or the Atmos format. By Jennifer Walden 16 ON OUR COVER HOW THE BODY WORKS DAILY NEWS UPDATES WEB EXCLUSIVES • RESTORATION: The Wizard of Oz 38 • AUDIO: Cloudy with a Chance of Meatballs 2 • REVIEW: Rampant Design Tools By David Basulto This Month In Kia's Totally Transformed spot features a new look for the familiar hamster crew. MPC in Los Angeles handled VFX, which included more dynamic performances and detailed facial expressions this time around. The studio used Maya for animation and rigging, and Houdini for fur and rendering. Check out our "VFX for Spots" feature on page 20 for more details. • An in-depth look at facial motion capture technology • Why previs is so important to a production • Defiance: Pushing VFX on TV Post • October 2013 1

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