Issue link: https://digital.copcomm.com/i/187650
SERVING THE INDUSTRY SINCE 1986 VOL 28 · NO. 9 ROOSTER TEETH/RWBY 2 POST SCRIPT Web Entertainment By Marc Loftus COVER STORY Talking with the directors of Cloudy With a Chance of Meatballs 2 By Daniel Restuccio POSTINGS A graphic glimpse of some recent work GETTING STARTED Sound Lounge's Seth Phillips 42 PRODUCTS The latest in hardware & software 44 PEOPLE Keeping tabs of the industry's movers & shakers REVIEW RTW's TouchMonitor TM3 By Keith Hodne 48 NICE SHOES STUDENT TO PRO Formal studies, internships and luck helped these grads kick off their careers. By Marc Loftus S O U N D NATHAN LOVE/FROOT LOOPS FAVORITE AUDIO TOOLS 28 Post pros give us a glimpse into their toolboxes. By Jennifer Walden ON OUR COVER 4K WORKFLOW The Ballad of Danko Jones music video, directed by The Diamond Bros. By Marc Loftus 41 24 CAREERS 32 14 REVIEW Fujifilm's IS-Mini CALIBRATION By Christine Bunish 24 DI NEWS A quick look at the world of color grading & DI 38 KING KILLIAN 12 By Christine Bunish Solutions for maintaining accuracy once displays leave the factory. By Iain Blair 47 POSTING WEB SERIES These projects are given the same creativity, diligence and quality as big-screen efforts. 28 DIRECTOR'S CHAIR Neill Blomkamp — Elysium 16 VIDEO 18 BITS & PIECES What's new in post 10 18 4 By Alex Bickel DAILY NEWS UPDATES WEB EXCLUSIVES • Colorist Tom Sartori on Breaking Bad 38 • Tube owner Chris Downs details his hiring process This Month In Directors Kris Pearn and Cody Cameron teamed up to helm Sony Pictures Animation's (www.sonypicturesanimation.com) Cloudy With a Chance of Meatballs 2. The film picks up where the 2009 release left off and centers around a land that's be transformed into the home of food/animal hybrids. The Sony Pictures Imageworks (www.imageworks.com) visual effects team worked to create the look of 2.5D-animated paintings, complete with brushstrokes. Customized versions of Autodesk's Maya and The Foundry's Katana were used on the film. For full details, see our story on page 16. • Anin-depthlookatfacialmotioncapture technology • CGachievementsinPixar'sshort, TheBlueUmbrella • Whyprevisissoimportanttoaproduction www.postmagazine.com Post • September 2013 1