Computer Graphics World


Issue link:

Contents of this Issue


Page 50 of 51 From first shoot to final cut. Connect with AJA. On the set Ki On set, Ki Pro lets you to shoot on the same codec that you edit with - Apple ProRes 422. With extensive analog and digital connectivity, virtually any video and audio source can be fed into Ki Pro, which uses AJA’s powerful 10-bit realtime up/down/cross conversion, to enable instant recording of SD or HD from any camera format. On the desktop Back in the edit suite, KONA capture cards are the professional’s choice, chosen for their outstanding performance and unparalleled reliability. Now fully cross-platform compatible, KONA cards give you the freedom to work with any formats - in the software of your choice. B e c a u s e i t m a t t e r s .

Articles in this issue

Links on this page

Archives of this issue

view archives of Computer Graphics World - AUGUST/SEPTEMBER 2010