Location Managers Guild International

Summer 2026

The Location Managers Guild International (LMGI) is the largest organization of Location Managers and Location Scouts in the motion picture, television, commercial and print production industries. Their membership plays a vital role in the creativ

Issue link: https://digital.copcomm.com/i/1546164

Contents of this Issue

Navigation

Page 49 of 67

48 • LMGI COMPASS | Summer 2026 Elsewhere, The Lowdown celebrates beloved Tulsa landmarks such as the legendary Mercury Lounge, a longtime gathering place for the cast and crew since Reservation Dogs, appearing as itself in Episode 5. Lee's bookstore, Hoot Owl Books, is at the core of the story: part sanctuary, part detective office, part repository of stories the city wants to forget. Tonner-Conolly leaned into practical detail, layering quirky features picked up from real-life bookshops and painstakingly selecting thousands of books to fully stock the store. "I love to take road trips, and I'll just check in on different local bookstores wherever I am and see how they have things organized and the little hidden jokes they have," he says. "Creating Hoot Owl Books was an opportunity to pay homage to our favorite spaces around the country and around the world." While the Pearl District supplied intimacy and texture, Archer Street in the Arts District provided movement. Raybon navigates the downtown corridors buzzing with urgency, chasing leads while brushing against the machinery of institutional power. A Dark History No location carries greater responsibility and requires more sensitivity than Tulsa's Greenwood District. The neighborhood is inseparable from the history of Black Wall Street and the 1921 Tulsa Race Massacre, one of the darkest episodes in American history. In The Lowdown, the district becomes part of the show's broader meditation on buried truths, emphasizing Greenwood's continuity as its businesses, archives and community life thrive within a space marked by past injustice. This approach deepens the story's emotional sophistication and raises profound questions about power, profit and cultural erasure. One sequence involved transforming a historically Black church into a fictional white supremacist church near Bixby, Oklahoma. The town's past reflects broader stories of African American migration, Native history, segregation and resilience—somber histories that rarely appear in tourism brochures. "We're going to shine a light on the racism that is still alive and well in this country," Kucharski recalls telling community leaders, who embraced the idea. The experience shows how locations may often carry meaning far beyond what audiences will see. The Architecture of Power The elegant Italianate villa and sprawling gardens of the Philbrook Museum of Art introduce a radically different texture from the cramped corners of Raybon's usual city hangouts. "It's one of the most impressive, unmistakably Tulsa spots, and to be able to have a sweeping wedding and chase scene there made my Tulsa heart sing," says Brodie. "Chris and his team deserve all the gold stars for getting us in and out of the location." The Philbrook's marble interiors and manicured gardens are symbols of institutional polish and generational power camouflaging moral decay, a contrast that proves central to the series' aesthetic and reflects one of noir's oldest visual principles: Beauty can become oppressive when it hides ugly secrets. Hughes Ranch near Bartlesville, its wide fields and aging structures on a 12,000-acre cattle ranch seems suspended time. The show Wedding scene filmed at the Philbrook Museum of Art. Photo by Shane Brown/FX.

Articles in this issue

Archives of this issue

view archives of Location Managers Guild International - Summer 2026