Issue link: https://digital.copcomm.com/i/1545191
LOCAL706.ORG • 45 of prosthetics straight away, as each set of these prosthetics takes roughly two days to cast and prepare for the next casting. ese sets accumulate quickly and are passed off so Jake can pre-paint them ahead of time for all the shoot days. JG: All the prosthetics were pre-painted and just needed minor coloring to tie them all together. He finally would wear a dental veneer for both upper and lower teeth to have consistent discoloration. I applied Walton's make-up solo and it usually took a bit more than two hours for the entire application process. Overall, I am very proud of the work we did this season, and love to be able to bring back our beloved Ghoul for everyone to get more of! VVD: Really rewarding season, and wonderful to keep the consistency of what everyone has come to know with e Ghoul, but also create a new really fun character with the addeus transformation. I love what Johnny brings to it, breathing life into it and making him his own. DENNIS BAILEY, HAIR DESIGNER: Creating the hair designs for Fallout S2 was as much about storytelling as it was crasmanship. In a world where survival is everything, hair becomes more than aesthetic—it signals identity, history, and allegiance. From pristine vault dwellers to dust-covered wanderers, every strand carried intention. And yes, sometimes that intention was simply making sure the look held up through a 14-hour day, desert winds, and the ever-demanding eye of continuity. e main characters served as our anchors, each design reflecting both personality and evolution. Ella Purnell's look transitioned from a controlled ponytail to so, voluminous hair worn down— achieved with hot rollers and gently blown out to relax the curls— mirroring her shi from structure to independence. Walton Goggins' character began with a structured blowout, shaped with Brylcreem into a classic 1950's silhouette, reinforcing his connection to a bygone era even within decay. Following that, Aaron Moten's hair was cut and shaped by our barber, George Wilson, into a clean, controlled fade using clippers.