Issue link: https://digital.copcomm.com/i/1545191
38 • THE ARTISAN SUMMER 2026 bit more this season. I overheard Taylor say in the first season that he wasn't worried about Ali because she knows how to look good, and the same can be said for all our actresses on the show. I try to stay true to the character and make sure I define that separately from the person playing the role. With Angela, I stayed with Koh Gen Do moisture foundation as a base with three drops of T3 oil to keep her glow. I love how this moisturizing foundation is beautiful on its own, but the three drops of T3 keep the skin moisturized and amazingly beautiful. I used Lancôme booster and mascara on Angela and put a few single lashes out to the side for a finished look to the eye. For brows, I used Glossier Boy Brow or switched to the Mario dirty blonde pencil. Eyeshadows were Dior and Armani. Lips were Charlotte Tilbury Pillow Talk Icon Baby, and lip colors ranged from CT Peachy Plum to Gucci, Tom Ford, and Lawless Sugar Plum—it all depended on what she was wearing that day. Angela is a lot of fun to work on because the character is so free-spirited and decisive about what she wants, and the clothes Janie puts her in are amazing. With the temperature fluctuations in Texas, where we film, it can be a struggle to keep the looks fresh and at times require a lot of maintenance. For Andy Garcia, I used Armani MAKE-UP Continued from page 00 Luminous Silk foundation in the first season, and this season, I used Armani with SENSAI bronzer to give it more of a skin feel. It looks great on camera and doesn't feel heavy-handed. Our cast comes prepared for the day with their skin care routine already in place, so there isn't a lot of time wasted in the chair. Time is money and we are hired to do the make-up—not spend an hour on skin care. Before I got into make-up, I took an art class where a lot of the students were graphic design majors, and the teacher said something that has stuck with me ever since: There are a lot of talented people competing for your job, and being good sometimes isn't enough—so be fast and good and you'll get hired. Time is money. As long as the actors allow me to, I get them ready as quickly as possible and give them the final nod of approval before they leave the trailer. With the men, I found that Estée Lauder's Double Wear foundation with SENSAI over, it gives a great skin-glow effect, and it works really well. When the rig workers are out in the field, it's important to keep a good layer of protection between their face and the environment—sunscreen, along with the foundation helps a lot. It takes constant maintenance to keep the actors from getting burned in the Texas sun. I love the dinner nights on the show, and the pirate dinner didn't disappoint. It's always fun to dress the actors up for one of Angela's dinner themes—you never know what Taylor is going to write. Our cast is amazing and wonderful to work with. They put in a lot of time and effort to bring these roles to life, and the long hours they spend outside of their working day staying in shape and maintain themselves does not go unnoticed. Between their dedication and the application of make-up, the characters truly come to life, and it makes for a wonderful collaborative effort. My thanks go to my incredible core team of the past two years: Rey Medrano, Shannon Hokama, Mika Garcia, and Carrie Angland. And to the many additional make-up artists who keep our background looking amazing—a huge shout-out and thank you to all of you. We couldn't do it without any of them. • L-R: Michelle Randolph as Ainsley Norris and Ali Larter Andy Garcia as Gallino MAKE-UP Continued from page 36