DGA Monthly

March 2026

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3 4 I D G A M O N T H L Y See more detailed descriptions and additional photos, where available, online at www.dga.org. DGA Committee Meeting Events On January 13, DGA members heard how passion projects are not just about the final product, but about the people you meet along the way when the Asian American Committee (AAC) meeting featured the discussion, Finding Your Filmmaking Family: A Panel on Passion Projects & Creative Kinship. Following a screening of clips from former AAC Co-Chair Kai Kim's 24-minute film, The Interview — a 22-page action story shot in two punishing days on a shoestring budget — Kim, UPM Alan Chu, 2nd AD Kevin Huie, 2nd 2nd AD Chris De Celle, and Stunt Coordinator Arnold Chon shared behind-the-scenes stories and discussed the irreplaceable value of building a community around work that matters to you in a conversation moderated by 1st AD Luc OuYang who served in that capacity on the project. Photo L-R: 1st AD Lucille OuYang (moderator), Director Kai Kim, 2nd 2nd AD Chris De Celle, 2nd AD Kevin Huie and UPM/AAC Co-Chair Alan Chu. Finding Your Filmmaking Family An Asian American Committee Meeting Discussion On January 14, the Women's Steering Committee (WSC) meeting was preceded by the panel discussion, Music & Sound: How They Influence Storytelling and How Directors Weave Them into the Plot. During a conversation moderated by Director Drew Ann Rosenberg, WSC Co-Chair Valerie Weiss and Directors Kay Cannon and Sanaa Hamri and 1st AD Geoffrey Hansen shared how Directors can collaborate with music and sound, both on set and in post-production to elevate storytelling, as well as their philosophies, creative practices, and the technical approaches that shape how music and sound become narrative tools. Image Clockwise: Directors Kay Cannon, Sanaa Hamri and Valerie Weiss (WSC Co-Chair), 1st AD Geoffrey Hansen and Director Drew Ann Rosenberg (moderator). Music & Sound: How They Influence Storytelling A Women's Steering Committee Discussion On January 27, the Latino Committee (LC) meeting was preceded by the discussion, Choreographing the Camera — A Conversation with Director Kenny Ortega. In a dialogue moderated by Committee Co-Chair Eli Gonda, Ortega — a visionary Director, Producer, Choreographer and the two-time winner of the DGA Outstanding Directorial Achievement in Children's Programs Award for High School Musical (2007) and Descendants (2016) — shared how his choreographic eye shapes how he blocks actors, works with DPs, and cuts a scene. He also discussed his commitment to Latino representation and how social causes shapes who he hires and what he makes during his four decades of thinking in movement. Photo L-R: Latino Committee (moderator) Co-Chair Eli Gonda and Director Kenny Ortega. A Conversation with Director Kenny Ortega A Latino Committee Meeting Discussion DGA CONTACT INFORMATION OFFICES DGA National Headquarters Los Angeles 310-289-2000 New York 212-258-0800 DGA Website www.dga.org REPORTING HOTLINES Safety: 800-DGA-3457 Racial Harassment: 310-289-2006 Sexual Harassment: 310-289-2006 Contract Violations: 310-289-5300 FIELD REPS Abbie Brewer: 740-707-6284, ABrewer@dga.org Meghan Brophy: 212-258-0816, MBrophy@dga.org Bart Daudelin: 212-258-0809, BartD@dga.org Beth Dubber: 310-289-2077, BDubber@dga.org Jon Drew: 310-279-7693, JDrew@dga.org Michael Mintz: 646-256-6264, MMintz@dga.org Jennifer Peat: 310-289-5305, JPeat@dga.org Emily Pierceall: 213-321-9791, EPierceall@dga.org Alexis Soto: 323-382-1058, ASoto@dga.org Brett Wise: 570-447-4823, BWise@dga.org For contact information for Guild departments please visit www.dga.org/The-Guild/Departments

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