Issue link: https://digital.copcomm.com/i/1543164
42 C I N E M O N T A G E T E C H By Jennifer Walden T here's a seemingly endless stream of TV series, so how does one capture viewers' attention? With style. HBO Max's hit series "The Pitt" has a signature storytelling aesthetic centered on move- ment, so the energy feels as restless as the SURGICAL PRECISION HOW THE POST TEAM OF 'THE PITT' KEEPS THE HIT HOSPITAL DRAMA HUMMING emergency room in which it's set. One episode typically picks up right where the previous one left off, so there's a flow between episodes that runs through the whole season. It's so smooth that it seems impossible that three editors work on one season. So CineMontage asked "The Pitt" Season 2 editors Mark Strand, Joey Reinisch, and Tammie Luciano to d i s c u ss t h e i r co l l a b o ra t i ve a p p ro a c h , how they match each other's cuts from episode to episode, even as they work from OPERATION ROOM: Mark Strand's home edit bay for "The Pitt."