Issue link: https://digital.copcomm.com/i/1541592
60 M PS E . O R G Indian, along with international productions The Orator (O le Tulafale), 30 Days of Night, and Emperor. His multi- award-winning work stands out for its sensitivity to theme and its seamless integration with narrative and score. Beyond his film work, Tim is the founder of HISSandaROAR, an influential sound effects library which helped launch the birth of independent sound effects libraries and recently celebrated its 15th birthday. "For me, 'good' sound occurs when it is invisible, you do not notice it. But 'great' sound is when that same process occurs and yet sound is making a significant contribution." � T I M P R E B B L E IM PREBBLE is a renowned New Zealand sound editor, sound designer, and occasional composer whose innovative approach has made him a unique and fiercely independent figure in the world of film sound. Raised on a farm south of Christchurch, Tim's early fascination with sound was shaped by wide-open spaces, the rural environment, and a musically inclined family. After studying electrical engineering, he switched to attending film school after being inspired by the complex narrative of Wim Wenders' Wings of Desire. Over the past three decades, Tim has contributed to more than 40 feature films and hundreds of hours of television, earning acclaim for his ability to blend audio from diverse sources to evoke mood and emotion. His credits include iconic New Zealand films such as Boy, Perfect Strangers, and The World's Fastest T Tim on the Indian V Twin Motorbike for The World's Fastest Indian (2005).