Location Managers Guild International

Fall 2025

The Location Managers Guild International (LMGI) is the largest organization of Location Managers and Location Scouts in the motion picture, television, commercial and print production industries. Their membership plays a vital role in the creativ

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40 • LMGI COMPASS | Fall 2025 Howard jumped at the opportunity. And Costner even made sure he was traveled with the production to Miami for that portion of the shoot! When the project wrapped, Howard was longing for home, so he returned to New Orleans just at the start of the Louisiana gold rush for film and TV production. He quickly found himself working as an ALM on films like The Pelican Brief, and Interview with the Vampire. Before long, he fast-tracked his way to his first location manager job, and he knew he'd found his place. "I loved it immediately," Howard says. "I'm a people person, you know, I love to talk. And I kind of immediately understood the logistics in terms of what the job required. We're like the main artery for every department—there isn't anything that happens that doesn't swing by us. And I think, over the years, what gets asked of us has gotten more and more complicated." Just four years after that first job on JFK in 1996, Howard was managing his first TV series, The Big Easy. The show lasted just two seasons, but he was off and running in the business and quickly became the man to know if you wanted to shoot in Louisiana. That's how he first met production designer Hannah Beachler. Two Dogs with a Bone It was 2008 and Beachler and Howard were working on Ruffian, a period feature set in the '70s that was shooting in Shreveport. "When I met him," recalls Hannah, "we just hit it off right away." The two developed a shorthand with one another that reflected the value of their friendship. As both of their careers ascended, they kept in touch and whenever Beachler got to work in the region, she knew she could count on Elston. "It was just easy with him, you know?" Beachler says. "And because he knew the area so well and because I had been there for a while, I could turn to him and go, 'we need a blah blah blah,' or 'I wanna go down to Lou's place,' or 'you know that spot back on the Pomes property by the fence where they did that thing? That's the spot.' And then he'll present other things. "But I'm like a dog with a bone. And I'll be like, 'that's the spot, get me that.'" She says with Howard, there's never any question about whether he'll find the right place or manage to secure a location. "He's also a dog with a bone," she says, "and he'd push until we got whatever we needed. We were already behind the eight ball when we started Sinners, so we had to jump in right away which is where that shorthand with Elston comes in handy." Before: Donaldsonville, Louisianna, standing in for Clarksdale, Mississippi

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