Issue link: https://digital.copcomm.com/i/1535806
My first experience with audio was actually mixing music, but when I was introduced to sound design, I became fascinated by how sound could completely transform a scene. Then I learned that people actually mix movies too, and that was it—I was hooked. The idea of shaping a film's sonic experience, blending all the elements together, and bringing stories to life through sound was something I needed to explore. From that point on, everything started falling into place. What's your favorite part of the sound for film process? It's satisfying seeing everyone's work come together. It's a weird feeling of accomplishment seeing the director or other filmmakers get excited by the simplest [sound] things—it's very rewarding. What does the CAS Student Recognition Award mean to you and what will you do with the money? Winning this award is an incredible honor. CAS represents the highest level of excellence in sound, and to be recognized by such a respected organization is both humbling and motivating. And like I mentioned in my speech, being a member of such an organization with all these rock star mixers is a dream come true. As for the prize money, it will go toward my move to L.A. so I can be closer to the industry and pursue more opportunities in post sound. Having won this award, do you have any advice for someone who would like to apply for the SRA? Focus on storytelling. It's not just about listing your experience—it's about showing your passion, work ethic, and dedication to the vision. Additionally, don't underestimate the value of collaboration. I believe a great film is made exceptional through mutual efforts. Also, believe in yourself; impostor syndrome is a big deal, especially when we're starting out. I hear all the professionals saying it: We have to believe in ourselves and jump into the water. A strong recommendation from a mentor or professor who truly understands your work can make a significant difference. Do you have any advice for someone starting out in the sound for film business? Be proactive. Reach out to people, ask questions, and be open to learning. The industry is built on relationships, so showing up, being reliable, and having a great attitude will take you far. And always keep improving your skills— whether it's through projects, mentorship, or just experimenting with sound on your own. Do you have any stories or challenges from your path that would be fun to share? L-R: Kat Frazier, Tejumoluwa Olarewaju, Guillermo Moya, and Aidan Jones