Issue link: https://digital.copcomm.com/i/1531981
28 PRODUCTION SOUND & VIDEO – Spring 2025 pantomime or don't whisper your dialog, because that's weird. People don't do that. You just talk, and we'll record it. Just be natural, and we'll record it and make sure that everybody's covered. So that was the setup. We're gonna have an assembly line in the morning, the actors are gonna come to us, and then they're gonna go to props, or vice versa. We'll have thirty actors, and Bryan Mendoza, Utility, and Michael Kaleta, Boom Operator, came up with a system where we put thirty spaces on a table for the thirty different microphones. Every day I would label, say, Track One is 'Lorne,' and radio mic one is 'Lorne,' and we'd have a little Velcro sticker on it. When they would put the radio mic on Lorne, we'd take the Velcro sticker off and put it on the table as spot one, so we would know which is Lorne's mic. We'd lay out all the lav mics dangling over a wardrobe rack, with all the different straps that you would need because you can't roll them up and make them pretty every day and then take them out. Then it would just be an assembly line. Michael would start putting a mic on, Bryan would go down to the ankle, start wrapping it on the ankle, and after the first day or two, you'd Steve Morrow's working setup Bryan Mendoza and Michael Kaleta ready to wire the cast