Issue link: https://digital.copcomm.com/i/1530961
40 • THE ARTISAN SPRING 2025 e journey down the Witches Road in Agatha All Along was so much more than a superhero story—it really was magical. e layers that are woven into each character's personal stories and the use of practical sets and effects for telling these stories was such an incredible experience to help bring to life. I was brought on as Department Head Make- up by Kathryn Hahn since I designed and applied her "Agatha Harkness" make-up on Wandavision. I hired Erin LeBre as my key make-up artist because we've worked together before and make a great creative team. We began filming in Los Angeles and were one of the last shows to use the iconic Warner Bros. Ranch. Aer that, we added Tana Medina as our third make-up artist when we moved to Atlanta, Georgia. e script delved not only into Agatha's history but all six of our characters' backstories which gave us the opportunity to design make-up looks from the 1700s to present day. It was a great challenge that included A LOT of research, since we wanted to use period-correct colors, technique, nails, and lashes. PHOTOS COURTESY OF DISNEY FOLLOWING AGATHA'S PATH ALL ALONG B Y V A S I L I O S B T A N I S D E P A R T M E N T H E A D M A K E - U P L-R: Kathryn Hahn as Agatha Harkness and Aubrey Plaza as Rio Vidal