Issue link: https://digital.copcomm.com/i/1530961
28 • THE ARTISAN SPRING 2025 organic to the world while maintaining an edge. Our goal was to design hair styles that were subtle—edgy but not overstylized, fashionable but not too obvious. Whether it was Sofia's rough Arkham look or Victor's clean fade, every hair style had to reflect the world they inhabited without overshadowing the darker elements of the story. Behind-the-Scenes Wig Work One of the most rewarding aspects of working on The Penguin was assisting with Colin Farrell's transformation into Oswald Cobb. While Mike Marino handled the design, my role involved ensuring the wig application was seamless. From blending hairlines to ensuring consistency under the show's lighting, the wig application was a delicate process that required precision and attention to detail. Fashion Meets Functionality The hair styling for The Penguin demonstrates that hair is more than just an accessory. It's an integral part of character development. From the edgy transformation of Sofia Falcone to Eve's ever-changing looks, hair became a reflection of each character's journey. The collaboration between hair and costume departments ensured that every detail, from the texture of a wig to the cut of a suit, worked together to bring these complex characters to life. My experience working on The Penguin was truly a memorable one and a huge feather in my cap! I'm so grateful to have been a small part of helping bring these characters through the art of hair design. • Brian Badie with Cristin Milioti (above) and with Rhenzy Feliz (right)