Location Managers Guild International

Winter 2025

The Location Managers Guild International (LMGI) is the largest organization of Location Managers and Location Scouts in the motion picture, television, commercial and print production industries. Their membership plays a vital role in the creativ

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28 • LMGI COMPASS | Winter 2025 With previous seasons featuring all-male leads and set in Louisiana, California and the Ozarks, respectively, the execs envisioned a fresh location and a new perspective with a female protagonist. They found the perfect storyteller in Mexican-born writer-director Issa López, who had been sketching out a plot for a "whodunnit" even before HBO approached her to join the series. López had always been fascinated by mystery novels and stories of real-life unsolved murders. She recalled hearing of one particularly grisly tale as a child known as "The Dyatlov Pass Incident": In 1959, an experienced group of scientists from the Soviet Union's Ural Institute had set out on foot for a research expedition. They were later discovered not far from camp, with some grotesquely frozen to death from what appeared to be some gruesome physical trauma on the ice. What had happened during the night that caused these men to cut their way out of their tents and flee the campsite? "The details don't make sense and they died in the ice," relates López for screendaily.com, "so, I thought, 'murder mystery, ice, the unexplainable demise of a group of people.' "Now all I needed was everything else. The story, characters and what happened to the men." López pitched a modern take on the Dyatlov Pass incident as the central mystery, resetting the series in Alaska and imbuing the narrative with flourishes of indigenous culture, environmental contamination and an unsolved murder. Once the pilot was crafted, veteran producer Mari-Jo Winkler joined the project and she and López headed to Alaska to flesh out the details. "We wanted to understand the culture of the Inupiaq indigenous communities and the physical place, shares Winkler. "We scouted in -22 degrees Fahrenheit, rode snowmobiles across the frozen ocean and visited different locations that were scripted to get a true sense of it all." Alaska can get down to -40 degrees in the coldest months," adds production designer Dan Taylor, "which seemed like too much, not just for the crew, but for equipment as well." "Iceland is a magical place. We have an endless gallery of classical nature, with a variety of looks. The light is ever-changing, and the surreal drama of most locations here is astounding." —TRUENORTH LM EINAR SVEINN THORDARSON/LMGI

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