Issue link: https://digital.copcomm.com/i/1530856
m y n e e d s t o t h e v i s u a l e f f e c t s t e a m a n d re m a i n e d u n f l a p p a b l e a n d c a l m , which I really appreciated. Thanks to his efficiency and expertise, we were able to meet every deadline. [Ed. note: "The great thing about work- ing with filmmakers like Teri is that they are very decisive, so the cut didn't fluctuate as much as I'm accustomed to for a film like this. In the end, the finished visual effects shots were of quality because not many were rushed due to last minute changes," Hickman told CineMontage. "I think people underestimate the negative impact inde- cisiveness can have on a film at all levels."] CineMontage: This is the fifth project with your First Assistant editor Corinne Villa. I've heard you refer to her as your "wingwoman." Shropshire: We started on "The Old Guard," and we've worked together for about five years now. What I love about Corinne is she's old school like me. We both came up through the assistant ranks, and she's worked as an assistant, first assistant, visual effects editor—you name it. I love her because of the tools in her toolbox, especially her ability to run a room. She's incredibly organized, detail-oriented, and a great communicator, which allows me to be my creative self. You can never take that for granted. I joke that when I finally moved into the editor's chair permanently, it was like the editor fairy came overnight and sprinkled some magic dust on me, because I woke up the next day and forgot everything I knew as an assistant editor. Corinne is that person I still call to ask, "What are my export settings?" or "How do I bring in this Beyoncé song?" ■ James D. Wilcox, ACE, a member of the Local 700 Publications Committee, edited the features "Hillbilly Elegy" and "Thirteen Lives" as well as episodes of the series "Ahsoka." 61 W I N T E R Q 4 I S S U E WOMD CONTINUED FROM PAGE 22 PRETTY GOOD CONTINUED FROM PAGE 24 TWISTERS CONTINUED FROM PAGE 43 hobbies, and passions? I l o v e w a l k i n g w i t h m y d o g , go i n g out to eat, working out, spending time with my family, going to the movies, and watching TV. In addition to my passion for sound, I also have a deep fascination with outer space. Q: Favorite movie(s)? Why? " Th e L i o n K i n g." I t h a s a b e a u t i f u l message and is my favorite soundtrack, but I also share a unique connection with the film: The day before I was born, my mom took my sister to see "The Lion King" at the movies. That night, she went into labor and I was born early the next morning. Q: Favorite TV program(s)? Why? My favorite TV shows are "Modern Family," "Once Upon a Time," and "Wan- daVision." I love "Modern Family" for its humor; no matter how many times I watch it, I still laugh as if it's the first time. "Once Upon a Time" captivated me with its unique storytelling and suspenseful twists. Lastly, I loved everything about "WandaVision," from the sound design and plot to the stun- ning visual effects. Q: Do you have an industry mentor? I don't, unfortunately, but I wish I did. Q: What advice would you offer someone interested in pursuing your line of work? I'd recommend getting hands-on expe- rience. The best way to learn and improve is through practice. Additionally, take ad- vantage of the expertise of seasoned sound professionals around you. Observe their work, ask questions, and always be open to constructive criticism. Embracing feedback is key to your growth in this field. Q: Was there ever a circumstance when you had to rely on the Guild for help or assistance? No. But I appreciate all the resources the Guild has available for us members. Q: Is there anything you'd like to say to your fellow Guild members, any words of encouragement? Don't be discouraged by setbacks that may feel like failures in the moment. I truly believe everything happens for a reason, and sometimes what we perceive as failures are just necessary steps backward that ultimately propel us forward. Remember, it's important not to be hard on yourself for making mistakes. Instead, view them as valuable opportunities to learn and grow, personally and professionally. ■ would pop up. In 1999, a producer from my cable days introduced me to Larry David. They were making a single camera special for HBO: "Larry David: Curb Your Enthusiasm." It was well received, and a year later on Halloween, I opened my door and there was Larry and his young daughter, looking for candy. He informed me that HBO wanted to make "Curb Your Enthusiasm" into a series and would I be interested? I said yes and gave Larry's daughter eight Hershey bars. The show ran for 12 seasons. Between seasons, I had time to edit five films and m u l t i p l e T V s e r i e s, i n c l u d i n g " F l i g h t of the Conchords," "Modern Family," and "Veep." All union shows. As Larry might say on "Curb": That's a pretty, pretty, pretty good run. ■ Steven Rasch, ACE has won three ACE Awards. He won an Emmy for editing the "Curb Your Enthusiasm" episode "Palestinian Chicken." He can be reached at steverasch@aol.com.