Issue link: https://digital.copcomm.com/i/1529989
66 M PS E . O R G Raimi who told me that I'd done an "excellent job." A day I'll never forget. How did you go about building your network of international sound artists you interact with? PA: I have always felt that filmmaking was a global endeavor. The European Film College, where I started out, is based in Denmark but half the students at the college were international, so from the very beginning, I felt that making movies is a universal language. It's so cool how the net has made the global sound community come together. I'm in touch with a lot of sound guys and girls on both Facebook and Twitter which has even made it possible for me to travel around the world and meet foreign sound designers. I've met several of the sound people that I admire the most, and who have been a big influence on my work. I've even been able to collaborate in some way with a few of them—an amazing privilege! Social media have really opened up amazing opportunities for collecting sounds from all around the globe. I write a request on Facebook and in just a few days or maybe even a few hours, I've got sounds in my inbox. It's amazing how sound people from the whole world are connecting— that's why so many different people have helped out on different projects and I always The Killing of Two Lovers mix in 2020: sound designer and re-recording mixer Peter Albrechtsen, director Robert Machoian, actor/producer Clayne Crawford, re-recording mixer David Barber. Mikkel Nielsen and Peter on recording expedition 2022. Peter and Mikkel Nielsen May 2024.