Issue link: https://digital.copcomm.com/i/1529668
evolution from a global superstar to the reclusive figure she became in her later years. The complexity of Maria extended beyond physical set design. The Art Department strove to balance the public and private sides of Callas' life, using production design to evoke both the opulence of her operatic career and the melancholic isolation of her final years. Working closely with the costume and makeup departments, we crafted a cohesive visual language that highlighted the beauty and tragedy of her existence. It was an incredibly personal and transformative experience for all of us. This film often pushed us to our limits with its ambition and complexity, but as is always the case on these projects, the team came together. It was through everyone's unwavering dedication and hard work that we were able to achieve results that far surpassed our wildest expectations. On the last day of filming, there was a beautiful sense of collective accomplishment. In the end, our aim was to distill the very essence of Maria Callas, capturing not just her persona, but the heart and soul of the woman behind the legend. ADG D. TOSCA BACKDROP ORIGINALLY PAINTED AS A DIGITAL FILE AND PRINTED AT 18 X 8 METERS. ARTWORK CREATED IN PHOTOSHOP BY GUY HENDRIX DYAS. E. STAGE BACKING FOR MEDEA, ONE OF MARIA'S MOST CLAIMED PERFORMANCES AT LA SCALA, MILAN. ARTWORK CREATED IN PHOTOSHOP BY GUY HENDRIX DYAS. Guy Hendrix Dyas, Production Designer Tom Brown, Super vising Art Director Bence Erdelyi, Attila Illés, Art Directors Anna Döbrössy, Assistant Art Director Enci Bognar (Lead), Jannick Guillou, Mikul Mácsai, Virág Szörényi, Graphic Artists Heather Loeffler, Sandro Piccarozzi, Set Decorators D E