Issue link: https://digital.copcomm.com/i/1529668
8 P E R S P E C T I V E | N O V E M B E R / D E C E M B E R 2 0 2 4 PAT R I C I O F A R R E L L Patricio began his career in the Art Department working with props on Alan Parker's Evita and Jean- Jacques Annaud's Seven Years in Tibet. He worked his way up through the Art Department by transitioning to different positions, from props standby and buyer to Assistant Art Director and eventually, Art Director and Production Designer. His experience working with some of the industry's top designers on films such as Batman vs. Superman; Indiana Jones IV and Clash of the Titans, amongst others, has taken him all over the U.S., Latin America and Europe. G U Y H E N D R I X D YA S is a two- time Academy Award-nominated Production Designer and the recipient of a BAFTA Award for Best Production Design. Guy gained recognition in the Production Design field through his N AT H A N C R O W L E Y began his career in London, and after an early transition to Hollywood, he made his mark as a second unit Art Director on Bram Stoker's Dracula, embracing practical in-camera techniques. A turning point in his career came as he began a significant collaboration with Christopher Nolan on the film Insomnia, kicking off a series of successful projects such as The Prestige, The Dark Knight, Interstellar, Dunkirk and Tenet, all of which collaborations with directors such as Christopher Nolan, Steven Spielberg, Ang Lee, Terry Gilliam and Danny Boyle. Maria marks Guy's third collaboration with director Pablo Larraín. Originally from Devon, South England, Guy obtained a masters degree in design from the Royal College of Art in London. His professional journey started in Tokyo, working as an industrial designer for the Sony Corporation and company founder Akio Morita. Guy is a member of both the Art Directors Guild and the Costume Designers Guild. As a Production Designer, Patricio designed number one hit shows for Apple TV+, Amazon & Hulu like Dark Matter S1, The Haunting of Hill House (ADG Excellence in Production Design Award nomination), Reacher S1 and The Patient, as well as episodes for Steven Spielberg's reboot of the classic anthology Amazing Stories. Patricio has used his experience to put together crews in different states and countries, always delivering a high level of production value within the constraints of a production calendar and budget. He has also designed commercials for brands like Ray- Ban; Sony and Beck's. Born in Buenos Aires, Argentina, Patricio moved to San Francisco, CA, in the early '90s. He now lives in Los Angeles, where he has been a member of the Art Directors Guild since 2002. earned him Academy Award nominations. Another nomination came for his work on Damien Chazell's First Man. In television, his skills were recognized with an Emmy nomination for HBO's Westworld . Recently, Crowley has expanded his portfolio with film adaptations of Wonka and Wicked 1 & 2. His talents also extend to the art world, where he has designed four exhibitions for NYC's Metropolitan Museum of Art's Costume Institute, and worked with Sofia Coppola on La Traviata at the Teatro dell'Opera di Roma. Known for his practical approach to Production Design, Crowley excels in creating immersive, detailed worlds, combining traditional and modern techniques. C O N T R I B U T O R S