LMGI COMPASS
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Fall 2024
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23
Stevie: WHAT DO YOU LOVE ABOUT THE JOB?
BC: Movies are fictional. I pursue locations that are suitable for foundation for
spaces in the fiction. To create that foundation, hypotheses are formulated,
scouting is conducted, new things are learned through the scouting,
assumptions are adjusted based on what is learned, and then scouting is
done again. Around this time, production designer scouting typically takes
place.
I absolutely love the moment in the process when a story that doesn't exist
in reality begins to take root and meet real locations, just like the last day of
shooting 'Martini.'
Stevie: WHAT ONE PIECE OF ADVICE WOULD YOU GIVE YOUR YOUNGER SELF OR SOMEONE
JUST STARTING OUT IN THIS PROFESSION?
BC: You may find it very stressful to be a location manager for Hollywood
projects in Seoul! But it's not as bad as you think!
Stevie: WHAT MADE YOU DECIDE TO JOIN THE LMGI & HOW LONG HAVE YOU BEEN A MEMBER?
BH:
Thanks to Douglas Dresser, who is also a member of LMGI, I have learned
more about location managing. I have been a member of LMGI since 2020.
