J U LY • A U G U S T • S E P T E M B E R 2 0 2 3 C G W 3 1
The Disguise Difference
"Using Disguise gave us the entire canvas," says Leland. He explained
that with Disguise, the team was able to easily twist and warp the
•at car process plates into the correct perspective for the camera,
as well as combine and play back multiple video plates in real time.
"That means that although we have these individual screens, it's all
within one media server," Leland adds. "It allows us to map however
we want, whether we want perspective, sizing, we can really kind of
change what's being reprojected onto those screens."
"It would be impossible to make this feature with the budget we
had without using virtual production," says Hall.
A‡er an international premiere at Toronto Film Festival, Daddio
was picked up by Sony Pictures Classics and is now screening in se-
lect cinemas across the United States and Canada, and has been
released on streaming platforms Now TV and Roku.
More about Disguise
Disguise is an industry-leading platform sitting at the heart of a new
era of visual experiences. One powerful integrated system of so‡-
ware, hardware and services to help create the next dimension of
real-time spectacle.
Disguise partners with the biggest entertainment brands and
companies in the world to deliver the A-list of live music events, live
TV broadcasts, immersive experiences, installations, theater, lm
and TV production, corporate communications, and brand product
launches. ¢
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