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• We Live In Time: Director John Crowley visualizes a
decade of love, loss, and the limits of time.
• Saturday Night: Director Jason Reitman recreates
the night NBC launched Saturday Night Live.
• Beetlejuice Beetlejuice: Editor Jay Prychidny helps
Tim Burton deliver his long-awaited sequel.
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VOLUME 47 NO. 3 JULY•AUGUST•SEPTEMBER 2024
features
Deadpool & Wolverine
CraŽing superbly stylized visual e'ects for
Marvel's over-the-top action comedy.
8
outlook
Creativity meets speed: Faster work–ows don't make
creative quality su'er. With the right approach—it's a win.
24
Avatar: The Last Airbender
The dazzling VFX and post-production pipeline
behind Net–ix's live-action adaptation.
4
Transformers One
Director Josh Cooley teams with ILM to tell an
epic CG-animated origin story.
14
SIGGRAPH '24: Visions of the Future
Spotlighting the next generation of CG
technology from the 51st annual conference.
18
spotlight
Inside the innovative virtual production work–ow for
Daddio, a Toronto and Tribeca Ÿlm festival selection.
26
Showcase
New short Ÿlm Ray Tracing FTW utilizes emerging virtual
production tools to help solve Hollywood's VFX problem.
28
Editor's Note
The art of invisibility: seamlessly stitching VFX into the
worlds around them allows storytelling to –ourish.
2