Computer Graphics World

July-Aug-Sep 2024

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departments on the cover POSTMAGAZINE.COM See it in Post • We Live In Time: Director John Crowley visualizes a decade of love, loss, and the limits of time. • Saturday Night: Director Jason Reitman recreates the night NBC launched Saturday Night Live. • Beetlejuice Beetlejuice: Editor Jay Prychidny helps Tim Burton deliver his long-awaited sequel. Visit CGW.com for Web-only features & news. VOLUME 47 NO. 3 JULY•AUGUST•SEPTEMBER 2024 features Deadpool & Wolverine CraŽing superbly stylized visual e'ects for Marvel's over-the-top action comedy. 8 outlook Creativity meets speed: Faster work–ows don't make creative quality su'er. With the right approach—it's a win. 24 Avatar: The Last Airbender The dazzling VFX and post-production pipeline behind Net–ix's live-action adaptation. 4 Transformers One Director Josh Cooley teams with ILM to tell an epic CG-animated origin story. 14 SIGGRAPH '24: Visions of the Future Spotlighting the next generation of CG technology from the 51st annual conference. 18 spotlight Inside the innovative virtual production work–ow for Daddio, a Toronto and Tribeca Ÿlm festival selection. 26 Showcase New short Ÿlm Ray Tracing FTW utilizes emerging virtual production tools to help solve Hollywood's VFX problem. 28 Editor's Note The art of invisibility: seamlessly stitching VFX into the worlds around them allows storytelling to –ourish. 2

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