Issue link: https://digital.copcomm.com/i/1526889
R O A D H O U S E | P E R S P E C T I V E 5 1 a strategic location. Just up the road from the strip mall location, we discovered a suitable site, distinctively set against dense jungle foliage. This required selective clearing to position the bar optimally: close enough to the ocean for scenic views yet distanced from the road to accommodate ample parking. Additionally, Doug was keen on including out-buildings that would enhance the beachside ambiance with facilities for beach activities, rental gear and gift shops that embrace the local culture. During early prep talks, Doug and I discussed numerous design requirements for the Road House to facilitate key scenes in the film. The bar itself played a critical role, almost as a character that needed to support not just typical bar brawls but also serve as the backdrop for the film's climactic battle. Strategically located near the water, the Road House took full advantage of the stunning ocean views while also allowing for a dramatic scene where Brandt's boat crashes through the back of the bar after leaping over a reef. Additionally, the action required an entrance wide enough for Knox to drive a stolen truck through, and at the heart of the bar, a metaphorical caged ring was set up for the final mano-a-mano showdown between Knox and Dalton. Nothing on the head and the entire look needed to be seamless and unassuming. The meticulous planning, precise craftsmanship and finishing details of the Road House were skillfully handled by Art Director Maria Fernanda Muñoz and masterfully constructed by George Stokes. Assisted by an exceptional team of local artisans, from roof thatchers to Coralina sculptors, along with a talented group of prop makers and scenic painters, the Road House was completed in just twelve weeks despite challenging conditions, including intense heat, humidity and a Category 2 hurricane. David Carr introduced around sixty palm trees to the setting, while Cindy, her leadman Jack, and the rest of the set decoration crew added intricate layers of dressing to animate the Road House. This incredible effort was buoyed by the constant and unwavering support of our producers, director and the studio. ADG Greg Berr y, Production Designer Maria Fernanda Muñoz, Super vising Art Director Lorelei Sainz, Giselle Madera, Art Directors Mariel Demorizi, Paula Virginia, Jimenez Gonell, Assistant Art Directors Jim Wallis, Jaime Salazar, Joro Rodriguez, Aura Faulkner, Oliver Lara, Arlana Castillo, Set Designers Jamie Rama, Illustrator Wendy Stokes, Isabel Benedetti (Ass't), Graphic Designers Cindy La Jeunesse, Set Decorator C D E