Issue link: https://digital.copcomm.com/i/1526889
moment. He paced around the shop for a bit, then came back to us with what I can only describe as a tone poem. He noticed and loved every single detail. He loved that it wasn't too soft or too trendy or too old. It was just right. He asked me how we did it with so little direction, and I responded with: I read your script. It's always all on the page. The bizarre absurdity of the winter wonderland set was seriously disturbing even before the characters come under attack. Alex and Rob did not use shot lists. All the sets were designed with as many portable parts as possible, including giant Christmas trees and twelve-foot-high inflatable swans, penguins and polar bears. "Silent Night" played through the scene. For every location the design team provided the elements, somewhat loosely organized so that Alex and Rob could refine the composition for camera. Lots of lulls and manpower on the day gave us so much flexibility that we never had to hold up camera. The next sequence ended at a mass grave. Prep for this was an ongoing collaboration with so E. & F. MONARCH'S DRESS SHOP. BUILT INTO TWO EMPTY STOREFRONTS ON CONYERS' MAIN STREET. SET PHOTOS. G. MONARCH GLASS ART PIECE. H. & I. WINTER WONDERLAND SET PIECES. SET PHOTOS. E F G H I