Issue link: https://digital.copcomm.com/i/1526889
boards, as well as the clock, were practical. The same exterior platform set was used to create Roma Termini, Napoli Centrale, Sanremo and Santa Lucia Venezia platforms. The crew built interchangeable center columns for Roma Termini and Santa Lucia Venezia—Napoli Centrale and Sanremo platforms having no center columns. For the interior of Roma Termini Station, in the spirit of the Rome station designed in 1947 and opened in 1952, I chose Palazzo dei Congressi at EUR (Esposizione Universale Roma) by architect Alberto Libera; commissioned by Mussolini in 1936 for the 1942 World's Fair—which, due to the war, was canceled. Ospedale Forlanini is a great Rome location, a favorite among filmmakers. Most of its huge expanse is vacant and derelict. For Ripley, in addition to Napoli Centrale, we created there the interiors of Banco di Palermo, the Rome Morgue, Palermo, Sanremo and Naples Police Stations, the New York City dentist and chiropractor offices. D. INTERIOR STAZIONE DI NAPOLI CENTRALE. FILMED AT OSPEDALE FORLANINI. LOCATION PHOTO. E. INTERIOR STAZIONE DI NAPOLI CENTRALE. CONCEPT ILLUSTRATION BY FRANCESCO SERENI. F. EXTERIOR ROMA TERMINI PLATFORM. PRODUCTION STILL. G. INTERIOR ROMA TERMINI STATION. SHOT AT PALAZZO DEI CONGRESSI. ARCHITECT: ALBERTO LIBERA 1952. PRODUCTION STILL. H. NEWSSTAND. SET PHOTO. I. TRAVEL POSTER. GRAPHIC LAYOUT. D F E G H I

