Issue link: https://digital.copcomm.com/i/1521244
could be a classroom and the room off that room, with some work, could be the scripted gallery/ lounge. We loved how they flowed together, giving us depth and imagining how the actors and camera would be able to move from room to room. Next up, what would we do for a hallway that leads from a "slight of hand" transforming shoeshine stand at the back of an old barber shop (a location still being scouted at this time) creating a portal into the grand hall of the Society? On the other side of the ballroom, we could build walls and close off the room and just outside of it on the landing, between the existing staircases, we could squeeze in a 20- foot hallway leading to the grand ballroom. It was gonna be tight, but it would work if we used pocket doors… Magically opening pocket doors sounded perfect. I love inspiration borne of necessity. Once we had settled on that, we just started walking the property, looking for opportunities, trying to see things that were not there. The projection room is cool, but really doesn't give us anything. With its round shape, beautiful moldings and walls of mirrors, the women's A. SOCIETY HALL IN PROGRESS. SET PHOTO. B. SOCIETY HALL. LOCATION PICTURE WITH PHOTOSHOP SKETCH OF MAP FOR POST.. C. & D. ROGER'S OFFICE. SKETCHUP MODEL/VRAY RENDER. E. ROGER'S OFFICE. BUILT ON STAGE AT THE LA THEATER. A B F E C D