Issue link: https://digital.copcomm.com/i/1507937
ideas behind other madcap odyssey adventures such as Monty Python and Indiana Jones and the Looney Tunes aspect of the script basically spoon fed us a color palette lifted from the original Warner Bros. animation cells. Coincidentally, our offices were in the original animators' suites on the Warner Bros. backlot—my office being in particular where Bugs Bunny was designed—so we felt a strong connection to the world of Looney Tunes and embraced it fully—not to mention our resident phantom ghost who came to visit. Any crew member left to a lonely weekend shift had a spooky visitor in the halls of the Art Department. To say that we had a joyous time together as a team is not an exaggeration. We had a highly collaborative gang brimming with creativity and a great sense of camaraderie. We had a lot to cover during COVID days when we were down to only a few of us— scooping up other colleague's workloads—but we sent one another get-well-soon cards imbued A. EXCALIBATTLE. PRODUCTION STILL. B. TOWN SQUARE. PRODUCTION STILL. C. UNDERGROUND CELLAR. ILLUSTRATION. A B C D E