Issue link: https://digital.copcomm.com/i/1507937
would go to die in a mind-bending centrifugal fashion. Our own minds simultaneously spun out of control as the geniuses in the control room pulled the levers and wrote this stuff. Directors Owen Harris, Alethea Jones and Fred Toye made it all come together on screen with beautifully designed cinematography from Joe Anderson, David Stockton, Xavier Dolleans and Jay Keitel. We had wonderful costumes designed by Susie Coulthard, whom I had collaborated with many times before. The crew worked symbiotically — enjoying one another's company and letting the madness trolley us along as if we were on one big mad epic journey of our own. When the nun Simone came to the end of her epic journey, so did we, and as life often imitates art, the final days of Mrs. Davis were not replete without some drama of their own epic proportions. Our mill was inundated with a biblical level flood while in the middle of construction of our final sets. With water up to nearly knee height, Duke and his crew worked tirelessly to move and drain all of our sets to another workshop over a weekend. There was the end of the COVID plague and there was definitely a moment every now and then on a Friday night when miraculously, water was turned into wine. The be it and end all of some epic Hollywoodian drama was when Christopher Nolan unwittingly forced us to relocate fifty-six pianos in 115-degree heat because our location fields had got mixed up and we arrived at the same location as his crew A. MEDIEVAL BOOK ON THE HISTORY OF THE SISTERS OF THE COIN, HAND ILLUSTRATED BY JOAN MARTI. SET PHOTO. B. SECOND DEAL SECURITY. SET PHOTO. C. CASINO FLOOR. DUE TO TIME AND BUDGET CONSTRAINTS, THIS WAS DONE IN A 12'X12' MIRRORED BOX WITH 3 SLOT MACHINES. SET PHOTO. D. TACO TRUCK. SET PHOTO E. LAUNDROMAT EXTERIOR. SET PHOTO. F. ROLLER COASTER. SET PHOTO. G. ROLLER COASTER. ILLUSTRATION BY JAMIE RAMA. H. SISTER SIMONE ENTERING THE FALAFEL RESTAURANT BACK OFFICE. PRODUCTION STILL. A B C D E