Issue link: https://digital.copcomm.com/i/1490775
The next trick was getting a retailer on board. Moda Operandi (MO) was very interested from the start. The platform had been working with costume designers in different ways and felt energized about this potential. Once MO was confirmed, they developed the collection products for their specific market, including fine jewelers Lulos, Laura Cantu, and Augustus Poppleton to collaborate on eccentric showpieces as wearable Dada art in the tradition of Schiaparelli, Dali, and Verdura surrealist jewels. Moda Operandi co-founder Lauren Santo Domingo notes, "Moda has become an insider resource for costume designers who often work with our dedicated private shopping team to source unique pieces for their projects. We are excited to support J.R. and her surrealist vision for the film with the launch of the Amsterdam Bazaar." Hawbaker gives credit where credit is due. "What I'm most proud of is how our costume community is seen and compensated for their value and skills. Albert Wolksy's brilliant designs are tributed with bowties. Madeline Weeks recreated Taylor Swift's faux deco fur. Costume illustrators Oksana Nedavniaya, Raphael Phillips, and Greg Hopwood created branding assets and product designs. ACD Serrita Coleman stepped up to model in the product shoot. The Cambridge Satchel Co.: The Mini Sophie with Eye Curio Viva La Dada.: Amsterdam 369 Jacket Viva La Dada.: Femme Fatale Facinator Christian Bale as Burt Berendsen, Margot Robbie as Valerie Voze, John David Washington as Harold Woodman. Photo: 20th Century Studios 18 THE COSTUME DESIGNER | SPRING 2023