Issue link: https://digital.copcomm.com/i/1490572
2 P E R S P E C T I V E | J A N U A R Y / F E B R U A R Y 2 0 2 3 The Fabelmans Memory, Transition and Afrofuturism Devotion Guillermo del Toro's Pinocchio Taking the Show on the Road Designing the Greatest Film in the History of Film History Explaining a Myth Storyboarding She-Hulk: Attorney at Law Reflections of Contradiction and Paradox When Memor y Becomes Legend by Rick Carter, Production Designer Black Panther: Wakanda Forever by Hannah Beachler, Production Designer Design…and Behind the Scenes by Wynn Thomas, Production Designer, and Jeremy Woolsey, Supervising Art Director C r a f t i n g t h e Wo r l d by Guy Davis and Curt Enderle, Production Designers H a c k s by Alec Contestabile, Production Designer We i r d by Dan Butts, Production Designer T h e S a n t a C l a u s e s by Hunter M. Brown, Art Director W h o s e S h o w I s T h i s ? by Aaron Sowd, Senior Illustrator B a r d o , F a l s e C h r o n i c l e o f a H a n d f u l o f Tr u t h s by Eugenio Caballero, Production Designer CONTENTS ® 4 2 5 0 6 0 6 8 7 6 8 6 9 2 1 0 0 1 0 8 6 C O N T R I B U T O R S 1 4 N E W S 1 1 8 M I L E S T O N E S 1 3 0 P R O D U C T I O N D E S I G N 1 3 1 M E M B E R S H I P 1 3 2 R E S H O O T S ON THE COVER: A BALUSTRADE BUILT ON LOCATION IN THE DESERT IN BAJA, CALIFORNIA, FROM BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS, EUGENIO CABALLERO, PRODUCTION DESIGNER.