Skip Lievsay and Paul Urmson.
P H OT O : A D A M L E R N E R
48
C I N E M O N T A G E
F E A T U R E
By Peter Tonguette
From the beginning to the end of direc-
tor Olivia Wilde's "Don't Worry Darling,"
it's obvious that there are plenty of things
to worry about.
The film's setting — a vaguely late 1950s/
early 1960s suburb called Victory, bursting
with bright colors, peppy personalities, and
houses that resemble, in the words of the
folk singer Pete Seeger, "little boxes made
of ticky tacky" — is strangely artificial and
SOUNDS
UNSETTLING
SKIP LIEVSAY AND PAUL URMSON
TALK ABOUT FINDING THE RIGHT SOUND
FOR ONE OF THE YEAR'S MOST-TALKED-
ABOUT MOVIES, THE THRILLER
'DON'T WORRY DARLING'
