Issue link: https://digital.copcomm.com/i/1475048
8 FA L L 2 0 2 2 I C A S Q U A R T E R L Y This issue marks my 15th year working on the CAS Quarterly. For my rst issue, Fall 2007, I was co-editing with Pete Damski CAS and David Bondelevitch CAS MPSE. As many of you know, Pete has since retired and is doing some really cool stuff helping out the US Parks Service. David is still very active with this magazine (contributing a trade show article this issue) and, of course, is on our Board of Directors. I spend most of the time teaching and the rest of the time, when not editing the CAS Quarterly, mixing. While there has been much change in our world and in many of our lives since then, our organization is still focused on fostering fellowship, growing our community, educating the industry, and celebrating the skills and talents of sound for picture mixers around the world. This magazine is an extension of those items—in print and digital form. In this issue, we hear from mixers in an unimaginable environment as Adam Howell CAS interviews our counterparts from Ukraine in his timely article, "Listening to Ukraine." On a signi cantly lighter note, Stephen Fitzmaurice CAS checks in with a number of post mixers and technologists for their thoughts and tips in his "Headphone Mixing Considerations" submission, while CAS Associate member Sam Casas questions what "taste" means in his "Mixing to Taste" article. Kurt Kassulke CAS looks into "The Flow of Foley," and Academic member Matt Mulvihill sits down with re-recording mixer Eric Apps CAS for a "Meet the Mixer" interview. Ever wonder how mixing teams are put together? Aaron "Cujo" Cooley CAS and Peter Kelsey CAS discuss this from their purview for the production and post sides, respectively, in their "What I Look for…" articles. And, as always, be sure to read about the happenings of your fellow members in the "Been There Done That" and "The Lighter Side" sections. It's been wonderful meeting so many engaged members over the years through their contributions to the Quarterly. You can see who they are for this issue in our "Collaborators" listing. Thank you for taking the time to peruse the contents of this issue. If an article makes you think of a friend or colleague, send a link to the online version of the Quarterly, available on the CAS website. Please remember that our sponsors are professionals like you who understand the business and the needs of our industry; we encourage your commitment to them. And, if you have the urge to get involved or wish to see something covered, feel free to reach out to us at CASQuarterly@CinemaAudioSociety.org. Matt Foglia CAS Officers Karol Urban CAS MPSE - President Steve Venezia CAS - Vice President Lee Orloff CAS - Treasurer Frank Morrone CAS - Secretary Directors Amanda Beggs CAS Onnalee Blank CAS David Bondelevitch CAS MPSE Bob Bronow CAS Willie D. Burton CAS Tom Fleischman CAS Sherry Klein CAS Peter Kurland CAS Christian Minkler CAS Mike Minkler CAS Phillip W. Palmer CAS Tara Paul CAS Stephen Tibbo CAS Mark Ulano CAS Jeffrey Wexler CAS Operations Manager Carol Thomas Editor in Chief Matt Foglia CAS Publisher IngleDodd Media 11661 San Vicente Blvd., Ste. 709 Los Angeles, CA 90049 Questions or Comments: Cinema Audio Society 827 Hollywood Way #632 Burbank, CA 91505 Phone: 818.752.8624 Fax: 818.752.8624 Email CASQuarterly@CinemaAudioSociety.org Website www.CinemaAudioSociety.org Advertising: IngleDodd Media 310.207.4410 CAS@ingledodd.com www.IngleDoddMedia.com Email: Advertising@IngleDodd.com ©2022 by the Cinema Audio Society. All rights reserved. CAS ® , Cinema Audio Society ® , and Dedicated to the advancement of Sound ® are all trademarks of the Cinema Audio Society and may not be used without permission. F R O M T H E E D I T O R